Quotes About Creativity

Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s), I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts.

As a writer, I'm not convinced that we are the best equipped to understand how we go about the business of literary production.

The world of design has been subjugated by the rigors of manufacturing and mass production.

I've always been a big fan of Kendrick's, but it's different when you hear him on your own production.

Acting is more creative and liberating than production.

I was fortunate to have my business partner of many years - Hemal Thakkar - who helped a great deal in production under our banner, Playtime Creation.

Most of my presumptions about a production are usually wrong.

Indians have very good engineering capabilities, and that is why, if an industry focuses on innovation, you will have a far greater chance of success, rather than the model which is based on just being a production machine.

I use a lot of piano riffs in my production, and someone who I was working with said that I played so good that it sound like Beethoven.

People who run a ready-to-wear company are businessmen rather than production or design people.

I think the most satisfying part about filmmaking is seeing a production in full bloom. When I write, I write in isolation.

I like to be the captain of my ship and be involved with everything from stage production, merch, art, and rollouts.

Production is something I've never come to terms with.

He doesn't make it so complicated but just really allows the lyric to come through even though there's a lot of production going on. I think that's the key and that's the magic, it's making sure that people could still connect with the lyrics while they're on the dance floor.

It will never be Hollywood, the same way people think it should be. I think it will grow and it will be healthy and it will expand into more than one production house.

It's the best marriage of songs and production. But I have to say, I have an affinity for Bossanova.

I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration.

A lot of artists who have a certain style are expected to more or less keep doing their style. It's so easy to get into that rut of production.

But I also enjoy music outside the band. I've been doing production for other people, including Robert Wyatt. Check him out. The album we did together, 'Rock Bottom,' I think it's really lasted well. It's a 35-year-old album, but it worked.

I like to sort through music and see whatever pops out to me or inspires me. If I could have a production team going and kind of mix records with me, that would be cool; to take the records and have them sound the way I want them to sound. But I'd rather sort though music to find them things.

There's no reason why the 'Lost' alternate reality game had to be officially made by the 'Lost' production crew.

My talent is definitely a gift. I don't understand where it comes from. I don't play an instrument, and I never went to school for music production, but I know exactly how a song should sound and how to give an artist direction.

No production of high ideological and artistic value can evolve out of a creative group whose members are not united ideologically and in which discipline and order have not been established.

DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that I'd like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.