Quotes About Believable

What is most important to me is that my narrator's voice is believable, and that, though it is clearly an absolute fiction, it has the emotional resonance of memoir.

I always try to write about believable people.

You have to create characters - certainly in series TV - who people engage with. They don't have to be nice; you don't have to agree with them. But they do have to be compulsively watchable and believable and human, and you want to know what happens to them.

The thing about astroturfing is that it can be really believable.

As an actor, you have to be able to put yourself into the character since your job is literally making the character and the situation he is in believable.

I like everything to be natural... believable.

I love insane, stupid comedy, but I can only make it work if it's a character I can give some history to and make real. Like the guy I played in 'Little Miss Sunshine.' He's a maniac, but to me he was absolutely believable.

It was so easy for me to see that Anthony would be a superb Dr. Lecter because he had been such an amazing good doctor in 'The Elephant Man'. He had been as believable a doctor as you can imagine, and he was good.

take details from "real life" into fiction and make them believable requires careful work: creating characters the reader can believe would do the unbelievable and setting up a scene where those events make some kind of sense.

You Don't Have To Be The Un-Belivable To Be Successfull, Jus' try to Be The UN-Stoppable, Then Success Will Chase You Just To Reach Success You've Reached ...

Things have to be believable, not in a literal, photographic sense, but in an emotional sense - capturing the essence of the situation.

In New York you go to the coffee shop, have a bagel, walk down the street, get hassled, run into someone else. People just waltz into your world and it's believable.

I feel that for the story of 'Romeo and Juliet' to be impactful, it has to be believable, and there has to be a certain level of chemistry between the two characters.

I always try to have my supernatural or fantasy elements feel grounded in reality so they're easier for the reader to accept and digest.

I suppose I've got a reputation for playing quite extreme characters and making them quite believable.

A surprising amount of my jokes sound very implausible but are true.

Every character has a back story. It's what makes them fully formed and believable. But resist the urge to describe your character's past with a data dump of everything they ever experienced since birth. The best way to reveal a character's back story is through the character's actions/dialogue on the page.

In cosmos and microcosmos scale can be/so great and be so small/neither can stay believable, each/cancels the other out and we, too big/for one an unapparent otherwise/live self-scaled lives where we are as if we were./Bring some words together toward a real.

What I did was take the Jesus of the Gospels, the Son of God, the Son of the Virgin Mary, and sought to make Him utterly believable, a vital breathing character.

I don't get a chance to do many of my own stunts on 'Buffy' - none of us do. We have amazing stunt people who make us all look really believable and really good.

It's such a challenge to play a good guy - it's hard to be believable.

I don't want to sound hoity-toity, but people told me I should watch 'Cheers' because it's very funny. So I watched it, and I just went, 'This is the great show of the universe?' To me, acting is making characters believable, not just doing jokes.

Something like 'Psycho,' which is this psychological thing that slowly, slowly, slowly builds, and actually it's a much more powerful reaction you have when it assumes that you're intelligent as you're watching it. I want them to make me believe that whatever's happening could really happen, and then it becomes much more frightening.

I think the best way to sell a made-up character is to plant his feet into the real earth.