Quotes About Believable

Give me just enough information so that I can lie convincingly.

I don't get a chance to do many of my own stunts on 'Buffy' - none of us do. We have amazing stunt people who make us all look really believable and really good.

I don't reflect on sort of the age of the roles that I get. It's usually just what plays into what's believable - 'Am I believable at this age?'

People who are lying are, understandably, more worried about being believed, so they work harder - too hard, as it were - at being believable.

When I'm picking songs for an album I always want a song that I can relate to and that I have experienced. There's nothing worse than watching an artist try and sell a song that isn't believable coming from them.

I watch reality TV, but unless you have been part of that crew, unless you've sort of been immersed in that culture in what's happening, unless you have been in that concentrated moment, you wont believe it unless you're there. And with 'Ton of Cash' we just hope that we captured all of the best moments.

On stage you need to emphasize every emotion. But on screen you need to tone everything down and make it believable.

So often, I read scripts and am like, 'This would never happen in real life. It's not trying to be funny. It's trying to be serious.'

I saw my potential as artistic director, which is very different from designer. Fashion companies might have $200 million to $300 million in annual sales - Hugo Boss has €2.5 billion. I have to create a world that is believable and also relevant in 7,000 sales points around the world.

In my opinion, it's more interesting to see magic happening in a world that feels grounded. If the world is already crazy, then anything can happen. So it's better to start with something real.

When you get to the point where you're established enough that people link you with something, especially being an action hero babe, it's awesome. Because then you can fight the battles and have the crossbows and wrestle with swords and ride the horses because you're already believable; people see you in that genre.

I love Robin Wright's character in 'House of Cards' because she's a bona fide villain. She's a not-nice person in a believable way; you can see her working in the world.

ABC's intelligently hilarious sitcom 'Modern Family' depicts a gay-male marriage in which both partners are refreshingly dimensional, believable human beings. The writers dare to make them flawed and thus fully delineated, but they're not flawed in the silly, stereotypical ways that once dominated such portrayals.

It's a lot tougher to play soccer and make it look believable. But in boxing, it was easier for me. I got injured a lot more in the soccer world. In soccer, I pulled muscles. I thought boxing was going to be tougher.

To be persuasive we must be believable; to be believable we must be credible; credible we must be truthful.

I have to make this love affair believable enough. It's very European.

It's gut instinct that helps me determine how to write a story. I love the surreal because I am faced with the challenge of making the unbelievable believable. That challenge is thrilling.

One way the enemy of our souls deflects the shame he experienced at the Cross is to keep us too heaped in our own shame to notice his. The tragedy is that we play right along, as if he were more believable than Jesus.

I wouldn't encourage anyone to believe in a God of heaven if we had no evidence to support that He exists as the Bible says He does. The reason I teach belief in God is that, again and again, I have found Him to be astoundingly believable.

In order for the reader to believe the lies I'll tell, first I need to build a normal, everyday, believable environment ... Say, a scenario or, rather, a set design. And then, gradually, we could say surreptitiously, I introduce later the fact or facts that could never happen in real life.

People could write stuff that's really offensive, but if it's written within a believable world that has a tone to it, then it can be funny. But if it's just shock-value stuff, then it's not going to work, because it's not coming from a true place.

When I came to WWE back in the day, I'd been working seven-and-a-half years, and I was very frustrated. I started getting some momentum, and my work was very vicious, and it was very believable.

There is no trick to writing a believable love story, a heartbreaking scene or real-sounding dialogue. All you need is to tell the truth. It's always heartbreaking.

I have always been attracted to good scripts and try hard to make characters as believable as possible. That means trying to figure out how they would react to situations, what they eat, think, and feel.