Quotes About Collaboration

A great movie evolves when everybody has the same vision in their heads.

I don't think it's my job, single-handedly, to fix anything. I think it's my job to have a vision and have a plan that is reasonable and workable and get as many people to the table to effect change as possible.

We are absolutely open to working with outside directors. But the criteria for working with outside directors would be the script they have, the kind of vision they have.

I always try to keep a little bit of space in the year to work with other people. Because I love doing musicals, films and plays - projects where I'm not in charge, where I've got somebody else telling me what to do and I have to work with their vision.

I have not seen a true grounds-up revolution from a bunch of companies getting together. It takes one company to put it together, then people draft off of that, but they don't build it top to bottom with a specific vision.

When you're doing your own music, it's just you and your team. But when you go to sing someone else's song - Bollywood or ad or even collaboration - they've lived with the tune for so long you have to go by their vision.

All these directors, and I would include the Coen brothers and Quentin, have a very unique vision of what they want. They listen to ideas and make people feel like everyone is making the film.

I'm a director's actor, and I surrender myself to the vision and the process. I think nothing else matters then.

When I work with other people, I have to try to make their vision happen. With my own, I don't think about it. The music has its own kind of agency.

Let me put it this way: if I am the leading man of the film, and the film-maker is asking me to support him in a certain aspect so as not to burden the budget of the film, I will do whatever I can to support his vision.

What can I do if the director and producers comes to me with a certain demand for a vision for a song? I will try my best to give them a song that matches their vision.

True leadership isn't about having an idea. It's about having an idea and recruiting other people to execute on this vision.

As a director, I love being able to really be a contributing factor to the overall vision of a project.

Watching John Lasseter's films, I think I can understand better than anyone that what he's doing, is going straight ahead with his vision and working really hard to get that vision into film form. And I feel that my understanding this of him is my friendship towards him.

So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on 'New Girl,' and what my experience on 'Veronica Mars' was like. Everybody was just so great.

We believe in the vision of 'Make in India,' and our proposed joint venture with Rafael is a step in this direction.

This constitution recognises the need for social dialogue involving labour and management; it involves trade unions in the decision-making process; it has a social vision founded on social dialogue.

Most screenplays depend primarily on the vision of a director.

A film is a director's vision... there is, however, much input an actor or actress can have.

Bertelsmann understood our vision when they first invested in us... They still believe in that vision.

One is, that they will feel about you that you're going to make something wonderful for them. And they help you by expressing themselves. Not telling you how to do it, but encouraging you and accepting your vision and working with you on that kind of a level.

I think one of the main reason's Rick Rosenthal and Whitewater PIctures decided to 'get in bed with me' on 'Fat Kid' was because I came in with a strong business plan as well as a creative vision on how to make the film.

As an actor, you're always at the service of somebody else's vision. In a play, it's more of the director's vision, and he or she's got their hands on you all the way up to opening night, and if it's a film, there are even more people.

It's really hard as a screenwriter, you feel like you have a vision and then you turn it over to a director and you have to let it go.