Quotes About Collaboration

I liked Rajamouli's 'Eega.' He is a great technician, and I would be happy to get a chance to work with him.

I did get to work as a technician with Bapu in 'Radha Gopalam.'

You have to pretend to live in those clothes that they lived in, to live within the climate that they had then. You have to imagine with the help, obviously, of all the other technicians that are around - the writer, the director, the other actors.

Originally a record producer more or less hired a bunch of professionals to participate in a recording session, the performers and the technicians, and a music director was put in charge. That directly related to a film producer's job.

Over the years, I've learnt from co-actors, directors, technicians, and even from junior artists.

I think that you can't make a movie without a script. But you also can't make movies without actors. You also can't make movies without technicians. And there has to be just one person in charge of everybody, and to me that one person is the director.

I have an inherent interest in filmmaking and equipment. Some of my best friends are technicians.

I think actors get paid a lot and technicians don't get paid enough and I think that it should change because a good film, which is like a complete package, needs every single member of that team. I think we need to pay them more.

Whatever I have achieved is all thanks to my team. I always say that I don't repeat actors as often as I repeat my technicians.

It wasn't a class system where I was the better guy and he was the second-rate guy. That was his role and my role was to play the solos. But he took great pride in his technique as a rhythm guitarist.

I bring ideas to set, and I'm more than willing for those to be affected and be malleable based on what the other person gives me. I don't know what another actor is going to give me, on the day, and I don't want to be so hard and fast in my technique that I'm not open to what's coming.

With every record, with each band, I just try to make a song good. I'm not so much focusing on my technique. There are a million better drummers than me. I try to adapt to the songwriter; I try to adapt to the situation and retain my sort of melodic power. My goal is for the band to be good.

So many times, I've seen conductors that, every time they have a thought, they stop the orchestra and say it, and I can see the orchestra rolling their eyes and saying, 'Oh, God, he stopped again.' So there's a technique to rehearsing.

I have the instruments, ideas, technology, computer techniques. We try to create or see something, which has not been known before - just to discover something together. This is always my dream.

If you write in the same way over and over again, like, in the same place with the same techniques and with the same people, you're sort of writing the same song over and over again.

Just to get the actors to relax, listen to each other, and actually affect each other, there are a number of techniques you have to learn, and they don't all work on every actor.

Me and Dre did all, from Wreckin' Cru to Ruthless, all that. We started making songs first... back then it was the slow songs, techno, whatever they called it back then. 'Planet Rock,' that kinda stuff.

Several technological and political forces have converged, and that has produced a global, Web-enabled playing field that allows for multiple forms of collaboration without regard to geography or distance - or soon, even language.

Space station is, it really is one of the more, if not the most, impressive technological achievement of the modern day, not only in what we've accomplished engineering-wise but what we've accomplished on this international scale, because anybody will tell you that half the challenge is making it all work.

We are in a technological age, and 'Social Music' aims to reflect that spirit of advancement, collaboration and connectivity while still remaining 'human.' And Stay Human, then, is a reminder of what connects us all. It's our mantra.

A lot of technological capital has to be absorbed person-to-person, and that happens more quickly if countries are economically integrated.

Joseph Zawinul does overkill, and his technological overkill sucks, but there's no friction between us; I just say, 'Look,' and that's it. Do you have any idea how much music I learned from him?

We need to invest in technologies that amplify human capacity, not replace it.

I work a lot with my ski sponsor, Head, to develop new technologies.