Quotes About Collaboration

I've known Pinchas Zukerman since he was a teenager.

Since I was a teenager, I wanted to be in a band with my mates: my pure image of a band.

A couple of friends and I started a sketch comedy group when we were teenagers, just for fun and to start creating stuff. It was a blast.

I think I would encourage leaders to start working with communities in order to inoculate angry, young teenagers.

I decided in my late teens that I wanted to be an actor, and my dad and I agreed that films were better. I work alongside my dad, you see. I've thought that films were better since I was a kid.

I started writing songs with my best friend Eden Rice when were in our early teens. We performed together at local coffee shops in suburban Atlanta as Kemp and Eden, until fate intervened and we were separated.

Chris Jericho and I were really excited about teaming together, but we didn't get to sink our teeth into what we could have done as a team. We really wanted to throw it back to the glory days of Pat Patterson and Ray Stevens. We were committed, we were coming up with team moves, and all of the things were made to work.

I just want to sink my teeth into something good; maybe something with Finn Balor would be great. We had some matches in the U.K.

It's my responsibility to support the team behind Telegram.

My sole inspiration is a telephone call from a director.

I think that's one of the most difficult things in any marriage - in order to build anything, you must be together. You can't build anything over the telephone.

In a live performance, it's a collaboration with the audience; you ride the ebb and flow of the crowd's energy. On television, you don't have that.

Television and film acting is really fun because you are working with other people and you are not completely responsible for the outcome of the project.

I have friends who I consider my peers, who have done amazing work, particularly in the film and television space, who came up as independent artists and who have been - to be brutally honest - much more prolific than I was able to be.

Shooting a television show can be very difficult and at times can really wear on you. If you keep reminding yourself that it is a job and you show up together as a team and as a whole, you can prevail.

Being on a successful television show is a good thing. It's steady work. It's a chance to work with a group of people in an intimate way... where you develop a sort of shorthand with each other, and a trust.

No great television show has ever rested on just one person. They're all about great ensembles and storytelling.

I love my camera crews on all my jobs. It's the half of the job that the audience never gets to see. They're integral. They're as much a part of making a movie or television show as I am.

I have respect for anyone who helps a creator put a great television show on the air.

For the most part, Hollywood is very transactional. People want to make movies and television shows.

I always tell people that you should only hire people to be on your team if you would work for them.

I can't begin to tell you what a pleasure it was to work with Vikram. He is such a brilliant actor and so hassle-free.

I don't think I ever expected anything like an Oscar ever, to tell you the truth. That is not my motivation when I do these roles. I really am motivated by being able to work with great people and create a body of work that I can look back and be proud of.

I would love to work with anybody who has a good story to tell - Patrick Graham, Vikramaditya Motwane, Anurag Kashyap, Neeraj Ghaywan, Coen Brothers, Wes Anderson. I don't know why I was not considered for that Indian guy's part in 'The Grand Budapest Hotel.'