Quotes About Collaboration

We're always honored and excited to collaborate with other artists.

The reason I collaborate with Louis Vuitton is that Louis Vuitton is number one in the world, and I am honored to work with them.

I've been so honored and so lucky to work with some amazing people. I've collaborated on amazing sets and with amazing crews.

Reinaldo Marcus Green - I'm so blessed an honored to have worked with him.

All of the individual honors are great, but there's nothing better than winning as a team. Even your individual awards are much better when you win.

It was an honour for me to have been able to work with Mr. Mandela in the process that led to the adoption of the interim constitution and our first democratic elections in April 1994.

Cristiano is a fantastic player, maybe the best. For me it is a great honour to play with him. You just have to pass him the ball and he does the rest.

In my own area, Hood Canal, we are working with the USGS on dealing with this oxygenation problem.

I really want to work with Eminem. I know it will never happen, but I would love if he let me do a hook on one of his songs or he featured on one of my songs. It would be incredible. I've just always admired him since I was young.

There is a layer of Armaan's voice in the hook line of 'Kar gayi chull' and it was mainly his voice there, but he wasn't credited in the track.

It's always a learning process, every time you work with someone. You take a bit of what their history is and hopefully you give a little back.

I shared a dressing room with Pete Postlethwaite for 18 months, and he became a good friend. His discipline had an impact on me. You could have a laugh with him, but he was always on the ball when it came to work and very professional. Hopefully some of that rubbed off on me.

There is a director for a reason, because a director knows what's best for the movie. You just give your director as much as you can to work with, and hopefully, the decisions they make are going to be great.

What a cool job to be part of - whether it's doing lighting or acting or serving food on set. You're part of telling a story that hopefully has an essential component, and that's super exciting to me.

I always go for just really, hopefully, great writing and great acting, being in the company of great actors.

What I've learned - after working for, I guess, some time now - is when you're approaching a relationship like that, like, any working relationship, it's good to be open. To know that someone might have a different way of doing things and listen to them. And hopefully, you come to a common understanding.

If I ever do meet John Mayer and we end up in the studio, hopefully he'll bring the guitar, and I'll make a beat to it or something.

I was very glad later when I was directing that I wasn't in the hands of a cinematographer and hoping that he would do it well. I would know what he was doing, and we could discuss how that scene would look.

We need to develop artists who are not just scoring films. I'm hoping 'Gully Boy' can help with that.

It's always been my dream to do a dance scene with Anthony Hopkins.

I would work with Trevor Horn any day of the week. I have a great relationship with him.

If you've only got one horn playing, I still want the sense of ensemble.

I think if you're going to get anything done in the Senate, you have to be on the same sheet of music. If you don't get people on the same sheet of music it comes out pretty horrible.

I general don't color my stuff - I'm pretty horrible with color. Usually, I'll get one of my cartoonist friends to help me out.