Quotes About Collaboration

It's really helpful to have somebody to bounce off of and that will say, 'Yeah, that's a horrible idea. You shouldn't do it.'

Horror movies feel like comedies when you're making them because everybody laughs so much.

A camel is a horse designed by committee.

When I write a song with somebody else in mind, it's putting the cart before the horse. The way I write best is when I allow the song to tell me what it wants to be.

James J. Dillon was as much of a part of The Horseman as anyone of us.

I realized I could work for a manufacturer or a hospital, or I could work for a company that enables the manufacturer, the hospital, and everything else.

I was part of a writers' collective with 21 writers and filmmakers called the San Francisco Writers' Grotto. We had our own office space in this old converted dog and cat hospital, and we had a basketball hoop outside. I'd bring my dog to work every day and write.

We are confident that shared values of Wockhardt Hospitals and Fortis Healthcare will form the basis for our continued success in the future.

There is a host of directors - Sujoy Ghosh, Neeraj Pandey, Ashutosh Gowariker, Madhur Bhandarkar, Mani Ratnam and so on - who make some great cinema. I would like to work with them all.

My zero-stress way to host a gathering: Make the guests do the cooking.

I have a hostile country on my western border. On the north of us, we have China. These two countries are going to collude.

Even though I didn't write 'Shaun Of The Dead' and 'Hot Fuzz,' I never felt left out of the creative process.

A lot of times, when I record with a group, I'll stay after class for another hour or two and go, 'Let me try a bunch of things I was thinking of, as you were doing that.'

My heroes are the camera crew and the electricians. They work such long hours.

I have been asked to collaborate with fashion houses using my artwork, which I will probably do.

Corporate houses and big companies can be meaningful distribution channels for start-ups.

A lot of time, I've had bosses who were women that were, like, described as battleaxes, and I loved 'em, man. We get on like houses on fire.

I do not come from the industry. But I have realized that it's very important to work with senior directors and good production houses. It makes a lot of difference.

Houston isn't about a you or an I or a me, it's about a 'we.'

The thing that I love about moviemaking is how many people it takes to make it.

If you really want to step up your team's creative thinking, take a hard look at how many people you're putting in a room together. More than three to five is probably too many.

I was very lucky - how many people can say they did a song with John Barnes and played football with him?

I'm not sure I would want to be a filmmaker, because I've seen how many people they have to go through in order to create their own movie. It doesn't seem like something I can imagine putting myself through.

I acted three times with Fred MacMurray, three times with Martin and Lewis, four times with Rock Hudson. Three times with Glenn Ford.