Quotes About Engagement

When I'm up there, I'm just thinking that I've got to make them laugh or they won't show up next time.

It's nice to be able to let the fans know that you're around and say 'Hi.'

It's nice to work with your own alma mater.

Your first job, I tell people I mentor, is managing your affect. Be nice and say nice things. Make it so that the people walk away from interacting with you and say, 'That was fun.' That will make them want to come back and do it again.

I'm always aware of who my core audiences are and I serve that niche.

I can't talk about the education of black children if I ignored two of my nieces who were a couple of grade levels behind. I believe that charity begins at home, and I take seriously the role of a godfather to fill the gap when the parents aren't doing their job.

I'm still very interested in the things that happened in the '80s and the '70s because I think that they were very important years for Nigeria. In the '80s, we were under a military dictatorship for quite a while, and I think that the way we engage with our country as citizens was shaped in many ways by the events that took place in that time.

When a show has been on for so long, you lose fans, you gain fans. I remember this from 'Saturday Night Live.'

People want entertainment, a whole night of it, a whole experience.

For me, it was really important to immerse myself in the New York nightlife drag scene and become an integral part of that community.

Yeah, it's every parent's worst nightmare, to lose connection with your children, to not fully engage with them or have an understanding of what crowd of people they're mixing with, what they are watching online.

I do remember reading the script of 'The Nightmare Fair' and looking forward to doing it.

Some nights you walk off stage and go 'That was a good crowd.'

Let's face it: when we were crazy into wrestling, there were 20 million people on Monday nights watching wrestling. So what you have are 17 million lagged wrestling fans. People who connect to it somewhere, but haven't really found an inspiration or a cultural connection to it.

I did nine episodes of 'John Doe.' I died of boredom.

I have been involved with the USO really my entire life. The first show I did for the USO, I was nine years old.

I think that it's a good thing that you want to be part of making the world a better place, including between nine and five.

Often, you don't want to know too much, because it does affect your performance. When you're shooting a series for nine months out of the year, you don't want to anticipate too much, because you're going to work and you have to enjoy this thing too.

We expect people's experience with Miitomo to be a rewarding one in its own right. But at the same time, it's also a way to have them engage - or reengage - with Nintendo.

Nintendo is an entertainment company, but I think we need to broaden the definition of entertainment.

My Republican Party has no choice but to reach out to millennials.

People are going to think and take things how they're going to take it, and I have no control over that, so it's kind of like biding time until you get your feedback. So, it's like, once the public can consume what you're putting out there, then you know. Then you know hit, miss, in between.

It's weird to have no control over something that you're involved in.

I have no desire to put my feet up. Why would I?