Quotes About Engagement

When people are making the decision to put a piece of content online, they really do truly want to get it in front of the largest audience.

My goal is that we should have a rich engagement online that caters to a general and scholarly audience and that can provide a seamless experience for people, whether they are up the road or on the other side of the world.

I have hundreds and hundreds of people from Brazil, Chile, Columbia and Argentina, every day, buying my music and telling me about it online.

Online is another way for all of us to reach people.

Keep an eye on what your kids are seeing online. Parents need to stay involved in what their children are being exposed to. It's so important.

When parents or gamers ask me, 'What's the best game to play?' I say that playing face-to-face is more beneficial than playing online.

I'm literally online all day long, and if I don't get back to everyone, I'll stay up all night.

If you get people to commit to an email relationship, it's the deepest, most intimate relationship you can have online. Much deeper than Facebook and certainly more intimate than a blog.

I'm not somebody who goes online after every episode airs because that would be, for me, getting too much feedback and too much information.

Many online journals get the most hits of the day during the lunch hour.

Browseability is the key online.

Lots of people are going to sell clothes online. But not a lot of people have built a brand, a living, breathing brand that people feel like they're part of.

I've probably spent more time than any other brand reading every last comment. To listen to people the way you're able to online is very powerful.

I've always been online and available to my fans.

It is the greatest of all mistakes to do nothing because you can only do little - do what you can.

I think the truth of it is that when you get down to actually having to do the things on the ground, there is only one way to do it, and that's in cooperation with the communities.

When I get a script, it's the only time that I get to be an audience member with the first-time experience of that movie. That's the first and only time.

I tend not to look at my work after I've done it. In fact, the only time I typically get to review it is when the fans bring up comics at shows, and I kind of flip through it and be like, 'Oh, I remember doing this!'

The only time I am seen in public is when I go to work. When I go home to England, I never leave my home.

I just want my music to involve an audience in what's taking place onscreen.

I don't like watching things where I think the people onscreen are ahead of me or assuming I know something that I don't know.

Being an emcee onstage is mostly about crowd control, about monitoring energy levels.

I think sometimes comedians and entertainers and artists, sometimes they get onstage, and it's all for what they want to do. I think you still need to do stuff for the audience. They're the ones who are making it possible.

You get onstage and make other people feel happy. Make them feel good.