Quotes About Engagement

Television is a visual medium. You have to create some kind of visual interest. And it's entertainment for your eyes.

The standard way to record a meeting is to list people's names, the topics, and action items. The visual way is to doodle a rectangle (the table) populated by figures (the participants) sitting around the table with their comments as cartoon word balloons.

I come from a family of storytellers. Growing up, my father would make up these stories about how he and my mother met and fell in love, and my mother would tell me these elaborately visual stories of growing up as a kid in New York, and I was always so enrapt.

Our live shows are a visual as well as a musical experience.

Kids cannot follow stories. They don't know what the hell is going on in a cartoon. They like to see funny visual things happening.

Still, I tune out the visual input when it is too distracting, mainly in conversations.

I learned in the computer game business early on that all senses are not equal. The best example is, you're listening to a radio play and you're driving down the road, and suddenly you realize you haven't seen the road in five minutes. It's because your visual cortex has been partying with your imagination, basically.

It's hard to brief in the Oval. You know, you can't - no visual aids, hard to roll out something in front of somebody.

I trust the readers to build their own visual images. To me, that's part of the wonder of reading.

If the reader doesn't care or relate to the characters, all that visual spectacle is pretty but feels empty.

Music is more than words. It's a visual experience, too, and people really feel my music because of the way I move and put on a show.

I don't like the lip-syncing-type videos. I like for people to listen to the words and see the visual.

One of the reasons why I think virtual reality, as a narrative format, is never going to go beyond the short-form immersion space is because the bedrock of visual storytelling is the reverse angle. If you can't look into the eyes of the protagonist, you cannot hold people's attention for more than 15 minutes.

All I am trying to do is communicate a story that I can visualize in my head, into something better for the audience. If that means paying attention to detail then that's what I will do.

Visuals are important, as listeners like to 'see' the song.

Over the years, advertising had become very lazy, very visual. Visuals are important, yes, but as a part of the story.

Video is just exploding on Instagram - motion is the new filter. We're going to help people use visuals to tell their stories.

What really surprised me was that we had released the song 'Kondoram'... without any video and it still garnered so many views. The song had only lyrics and no visuals.

If you engage people on a vital, important level, they will respond.

It's vital that the monarchy keeps in touch with the people. It's what I try and do.

It is extremely dangerous to talk about limits or borders. It is vital, instead, that we remain completely open, that we are always involved, and that we aim to contribute personally in social events.

Storytelling, in print or speech, needs vital energy.

Our engagement through international economics, trade, these trade agreements, is vital and is linked to our national security. This is a lesson we learned from the '30s, it is a lesson we learned post-World War II, and it plays to our strengths.

Listen to clients, employees, and peers and stay open to their ideas, feedback, and answers. Doing so is vital to the success of any leader.