Quotes About Engagement

It's about being a voice in the community. There's so many ways to be a voice, and that's what I'm figuring out.

People aren't going to support an artist just because they have an audio file. They have to feel a real connection.

I love books that give you space to climb inside there. And you have to run to keep up in places, and you have to fill in a lot of blanks yourself. So it almost becomes your story.

But I just think we've got such a continuity with what we're doing that most people come in and fill in the blanks. And sometimes we leave a lot of blanks to be filled.

I'm out there talking to everyone. My days are filled with breakfast, lunches, dinner and drinks.

I think audiences can feel when they're being served a filler episode.

The audience fills me back up, definitely.

When I'm making a film, I'm the audience.

Usually on a film set it's making sure that everyone is there for their scene, and the moment their scene is over they disappear.

I like to be in character a good few hours before I arrive for filming.

Larry Kasdan wanted us all there, all the time, even if we weren't filming.

I see my filming career as an opportunity to get the message of conservation out to an even greater audience.

Before filming 'The Crown,' I couldn't care less about the royal family. But now... I'm obsessed.

If we're not shooting, if we're not filming, if you're not standing on the soundstage, turn off your phone and go live your life.

When we're filming, I sometimes look into the camera and wonder who's out there, who will be watching.

It's so hard to put your journey apart from the story line, when you've lived through it yourself or know what's a spoiler and what's not, especially when I wasn't a fan of 'The Witcher' before I started filming.

The filmmaker's got to make it his story and the actors have got to make it their story.

As filmmakers, we're constantly always looking for something to bring the audience deeper into the reality of the story we're telling.

Most filmmakers aren't very interested in history. They worry constantly that people will be bored.

I try not to put pressure on filmmakers to come up with a big scare at the beginning. I think that helps let the audience settle in and get to know the people they're about to spend 90 minutes with. Once the scarier stuff happens, it's scarier because of that.

I'm big into not drawing conclusions for people. I think that's what makes for the most exciting, compelling films. I get bored when the politics of the filmmaker are the subject of the film that I see.

There are no silos at 'Frontline.' Our digital team works with our filmmakers, and our filmmakers work with our digital team. They're always in touch, and they're always talking.

Most women I know are not actresses, but they work for the U.N. or are documentary filmmakers, anthropologists.

Every filmmaker wants to get their audience talking.