Quotes About Engagement

You don't want to be the site that people should use. You want to be the site they can't stop using.

I do retweet some of the things that people say about the things I've done, but I don't necessarily want to use it to promote myself because I find that it gets kind of boring. There should just be a whole different site for that. Because it's just kind of boring and gross to use it just self-promotion.

I don't often go to a place just to check out all the cultural sites of a city.

The most interesting comments, they don't come from people with Klout scores. They don't come from people with a history on our sites.

Robust activity on one site is so much better than halfhearted activity on multiple sites.

I get to experience so much in my life as I travel around, and it's just such a great way to get to share that with people. All these sites, like Twitter and Make It Pro, give me such a very strong way to interact with people. It's easy to let people be part of your life and to keep all of your friends and fans together.

That's what I want to do, ultimately: figure out a way to get the world engaged with discovery and protecting these ancient sites.

I'm there on all the social networking sites, as it plays an important role.

I saw podcast sites with all these fancy graphics. People don't care about that. They sign up for what I do.

It's good to be busy. I prefer that than sitting back and enjoying life.

When you're playing, every ball seems like the biggest event. When you're sitting back, you can see the overall picture better.

You've got a song you're singing from your gut, you want that audience to feel it in their gut. And you've got to make them think that you're one of them sitting out there with them too. They've got to be able to relate to what you're doing.

When he would give you direction, it was not sitting in a chair saying, 'Hey, babe! Do this and that and the other thing.' Mr. Sirk would ask, 'May I speak with you?' and sit down and say, 'I think this should be done this way. And how do you feel about it? Do you feel it that way?'

With a lot of films, people are sitting on the outside looking in, but I want the audience to get a bit more intimately involved with what's going on, so that they maybe can experience it a little bit more intensely.

There is a point in every contest when sitting on the sidelines is not an option.

Being an anchor is not just a matter of sitting in front of a camera and looking pretty.

I'm not a person for sitting on beaches. What would I do?

All I really want to do is entertain people out there sitting in the dark and for them to believe it.

Usually, I don't want to sit down and listen to the director gas on about his movie. I just can't actually imagine myself sitting down and having that much to say.

The program should know if someone is at the keyboard or joystick or if it is just sitting there idle. It should know if someone is proficient in its use or a novice.

Of course, you always think about how it will be read. I always aim for a reading in one sitting.

I come from the kind of family where work is work; my parents always taught me that it's better to be doing something than sitting around doing nothing.

When I'm writing, what I pretend subconsciously is that we're cavemen, we're sitting around the fire, and I'm telling you stories. If I bore you, you're probably going to pick up a big club and hit me over the head.

Boredom is just the reverse side of fascination: both depend on being outside rather than inside a situation, and one leads to the other.