Quotes About Engagement

I hate doing interviews. I get really bored talking about me.

There's a lot of interviews now where nobody seems to talk about anything. Like it's illegal. But it can be fun if you stay involved. Like most conversations.

When interviews are too cosy, I don't enjoy them.

The more media interviews you do, the less any one interaction matters.

I'm just me. I'm that cool girl who - as I like to say, I have that Carson Daly effect, where, if you watched 'TRL,' he was able to do interviews with NSYNC, blend right in, and then he would do interviews with Cash Money and blend in there, and you just naturally liked him.

I think interviews are good when you are an actual fan of the person you are interviewing.

I think I lose myself in interviews sometimes.

I like in-person interviews, but I do a lot of interviews over the phone, and it's so boring. The same questions over and over.

I don't like giving interviews unless I have something to talk about. Why bore people and why bore media?

I recognize that I'm in a band, and part of being in a band is doing interviews, and I do have a platform so I want to use that platform to talk about things that are real.

I think sometimes people get distracted in interviews.

I do interviews and try to be entertaining.

Intimacy comes from being yourself on the stage and making the audience feel, without trying, that you're sittin' down there with 'em, playing, and that can happen in a big hall, if you have a good audience that want to listen.

Fiction is about intimacy with characters, events, places.

Since a thing cannot be known directly or totally, one can only attune to it, with greater or lesser degrees of intimacy.

You can't manufacture the feeling of being in a small crowd and connecting on every single level to the very last person in the very last row in the back. I think when you evolve into a headlining act and things get bigger, the intimacy and some of that energy gets lost a little bit.

It's hard to get intimate with an audience.

I consider each performance to be an intimate conversation between me and the audience members.

To me, it's so much about doing your homework, going into a situation, getting to know the subject, making them feel comfortable, getting intimate access, getting access to all different aspects of people's lives, so that I am essentially telling an entire story and not just a single one.

Any time we have the opportunity to play in a more intimate room, there's such a huge aspect of our set just built for that. And beyond that, we just love being that close to our fans.

I think whenever any guys come along they're intimidated, and they don't really talk that much unless I talk to them.

When there are tiers of meaning in an ad it intrigues the audience and they look for it again and again.

In the 1950s and 60s, geopolitical intrigues did not much engage masses in Asia and Africa; it was something for elites to sort out.

It is not easy to find something that will intrigue and bind your interest and enthusiasm. This you must seek for yourself.