Quotes About Audition

I did six Broadway shows, and I noticed there weren't many female comedians. When I went to a dancing audition, there were 1,000 girls. And there were three jobs. So I said I'll just try comedy. And I loved it.

I had this notion that maybe I wanted to be an actor... I thought it might be a neat career. I thought if I was going to try that, I should shoot for the best, and I auditioned for Julliard.

Britain's got talent, enormous talent; that's very obvious.

Obviously, I did a couple of things right on the old casting couch.

I think I heard about 'The Giver' being made from when I was 11 or 12 years old. When I got the audition for this movie, I already knew that Meryl Streep was attached to it, and Jeff Bridges, obviously.

I have an agent and everything. I audition occasionally.

My dad never told me that when you audition, you might not get the role. He wanted to wait until my first disappointment to tell me.

You have to read scripts and audition and develop relationships. It takes a long time to develop a body of work but over the last 25 years I guess I've done that many movies. In hindsight it may seem effortless, but there's a lot of work that goes into it.

Around eighteen, Dinah suddenly became interested in acting. I worked with her on This Property Is Condemned, a Tennessee Williams one-act, for her audition for the Actors Studio. Then came Marty Maraschino in Grease, then a running part in Soap, a hot TV series. Then the lead in Neil Simon's play I Ought to Be in Pictures. She was accepted by the Studio and quickly hired by Robert Redford as the girl in Ordinary People who commits suicide.

I'd like to say "thank you" on behalf of the group and ourselves and I hope we passed the audition.

said, looking for a job on Broadway.

I was thrown into a community production of 'Bye Bye Birdie' or something when I was a kid. I wanted to just build the sets, but I wasn't allowed to just build the sets unless I auditioned for the play. So I auditioned for the play and was thrown into the chorus. During the course of that I fell in love with it, and I never really turned back.

I did a 'Last Comic Standing' audition in 2006, where you're just performing for three people in a comedy club, in a big comedy club, and I remember them cutting me off, asking about my name in the middle of one of my jokes. Yeah, it's just real weird when you're doing stand-up in that type of sterile, unnatural setting.

I never don't know my lines. I never take the audition pages into the room. I end up relying on them or looking at them too much, and it makes me feel unprepared, so I always learn my lines without fail.

When I was younger, I used to write to directors when I was unsure I could play a role. I'd say: 'You've made a terrible mistake.'

I can't watch my first audition because it makes me too upset. I just think it is really sad. I look at myself and don't recognize myself. I do think fame and fortune changes people.

I had auditioned for 'Band Baaja Baarat' but did not get selected. I was feeling bad, was upset. But I think certain films are meant by destiny. And that film was not meant for me.

There couldn't possibly be a more label-driven industry than acting, seeing as every audition comes with a character breakdown: 'Beautiful, sassy, Latina, 20s'; 'African American, urban, pretty, early 30s'; 'Caucasian, blonde, modern girl next door'. Every role has a label; every casting is for something specific.

In the last 'Batman' movie, they told me that I couldn't get an audition for a small role they were casting because they weren't 'going urban.' It was like, 'What does that have to do with anything?'

If you get an audition and you're out of work, you just say, "I've gotta go on this."

I didn't want to do 'Casino Royale' when they told me to audition. I said no. Then they sent me the script, and I thought it was actually very interesting - and I had no other work at the time.

I have been involved with 'Spring Awakening' for six years. I am 20 now - I just turned 20 in August - and I originally auditioned when I was 14 years old. I auditioned for Michael Mayer, Duncan Sheik and Steven Sater.

One evening, Mike Myers and Steven Spielberg were discussing 'Goldmember,' and I just happened to joke, 'If you need a Japanese character, let me know!' The next day, they called me for audition! I find it's always helpful to maintain a sense of humour.

I didn't have to audition. That's common, but it had never happened to me before. Normally, I hate auditioning. I need to stew and think... let the character develop and grow inside me.