Quotes About Audition

I have a large watch collection, and classic watches are especially important to me. I had a silver Rolex, and I actually gave it to my little brother. He wears it every day. He's an actor, so whenever he goes to an audition, he can look down, see it, and it gives him confidence. It was a great thing to pass on.

I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous – it happened so quickly.

I will never say never, but I will say never to doing the more typical romantic comedies. You know, unless I'm getting audited and I'm on the street and I desperately need some dough and that's the only thing that I'm getting.

I auditioned specifically for Cyborg, but at the time, they were using a code name for the character... I think it was Oscar.

My teachers encouraged me to audition for some professional work during our summer vacation. I landed my first job. It was for the National Theatre Company's Mimika Pantomime troupe. I ended up touring with them for the next two years.

I have found that so many directors and producers in the room say nothing, and this can be deadly. It's very difficult to audition for comedy in the vacuum of a small room, but it's the only way most do it.

With film, I always sit with people first and talk a while, and then we read or sing or whatever. I never sit behind a table. I get up; I work with them. I do everything I possibly can to not audition them. I can find out the best of them from them feeling comfortable and appreciated. I'd never let someone leave feeling not valued.

That's where I got my start and where I'll continue to work, but I can't tell you the number of films between Drugstore Cowboy and Curly Sue that I auditioned for and wanted that didn't choose me.

If you do a scene and you really like a character in it or a premise in it to write it down and to work on it so that you can have five or six characters that you can pull out in an audition.

I never thought of myself as an impressionist, so when I do audition for voice-matching things, I have to work really hard and do a lot of listening and trial-and-error.

I think fear is unavoidable and that, when recognized and embraced, its something that can work for you - especially in the audition room.

I need work. I still audition for work. I dont get offered things out of nowhere. I have to work hard, still, and I get a lot of rejections. It just goes on and on.

So, I'm happy to do that because it's a wonderful working relationship but I will be going out for pilot season for half hour work and that's the gamble I'm taking.

I remember thinking, 'I'll audition just once and if it doesn't work out I'll never think about it ever again.'

At 15 I auditioned for 42nd Street in Australia. Dein Perry was in that show. I actually got the job but I couldn't do it because I was only 15. Legally I needed to have another 15-year-old to cover consecutive nights.

I didn't know how to box so I would have looked like a complete street fighter actually, but what we did have to do was pick up some sides and then just memorize them within two days and go there and audition.

I always wanted to see my parents without any stress and accordingly knocked every audition for an opportunity.

When I get really passionate about something, the audition process is really strenuous and hard on me because I feel so much for the project, and I become so attached to it. It's hard. It's stressful because you want it so badly, and you're crafting this character that you're falling in love with.

The stressful thing about being an actor is, like, you have to kind of audition again and again and again, you know? You go in one time, and you go in again for a director and then again for producers and then again and again and again.

My big break was really Liz Meriwether saw me in a movie called 'Paper Heart' and really liked it, and then saw me in a movie called 'Ceremony' because she knew Max Winkler and said, 'I want you to be in 'No Strings Attached,' but you gotta audition for it.' From that it was easier for her to get me in 'New Girl.'

I've auditioned for animation stuff for a long time; that's a tough field to crack into. I don't think I have the strongest voice. I don't have a theater-trained voice or a radio voice, but I think I make good character choices.

What's comforting about coming from a family of actors is I don't have to explain the struggle. I can just sigh to my sister, 'I had a bad one,' and she'll know exactly the profound audition humiliation I am describing.

I loved being the center of attention and making plays, but I knew the reality of being an actor because I had parents who struggled, I saw people working three jobs in order to be able to audition the next day.

I'm really bad at memorizing, so that's one of my big struggles in an audition setting, with the lines.