Quotes About Poetry

I wanted to reimagine the role, in a way that was respectful of its traditional responsibilities but made them part of a wider pattern of poetry about national incidents, events, preoccupations; and to spend a great deal of time going to schools trying to demystify poetry.

I didn't know how to weigh ideas about poetry. Nothing in the life I lived as a student - and later as wife and mother at the suburban edge of Dublin - suggested I had the wherewithal to do so. But I did have a unit of measurement. It was the measure of my own life.

As dry leaves that before the wild hurricane fly, when they meet with an obstacle, mount to the sky. So up to the house-top the coursers they flew, with the sleigh full of toys, and St. Nicholas too.

I liked Yeats! That wild Irishman. I really loved his love of language, his flow. His chaotic ideas seemed to me just the right thing for a poet. Passion! He was always on the right side. He may be wrongheaded, but his heart was always on the right side. He wrote beautiful poetry.

Poetry must have something in it that is barbaric, vast and wild.

I have frequently noticed in myself a tendency to a diffuse style; a disposition to push my metaphors too far, employing a multitude of words to heighten the patness of the image, and so making of it a conceit rather than a metaphor, a fault copiously illustrated in the poetry of Cowley, Waller, Donne, and others of that ilk.

'Beloved Renegade' is a meditation on Walt Whitman, on tenderness, on dying.

My poems tend to have rhetorical structures; what I mean by that is they tend to have a beginning, a middle, and an end. There tends to be an opening, as if you were reading the opening chapter of a novel. They sound like I'm initiating something, or I'm making a move.

Most lyric poetry is about love, whether yearned after, fulfilled, or wistfully regretted; what isn't tends to consist of laments and cris du coeur over this, that, and the other.

The pull between sound and syntax creates a kind of musical tension in the language that interests me.

The pleasure that I take in writing gets me interested in writing a poem. It's not a statement about what I think anybody else should be doing. For me, it's an interesting tension between interior and exterior.

Lyrics became important for a while in the late Seventies. Patti Smith was a poet and a rock star, as much one as the other, the distinctions were a bit blurred and then you get swept up in it. Punk poet, it's a good enough term.

I think poetry, rather than suffering, is more and more sufficient to the needs of our society. It's one of the reasons so much of it is, for want of a better term, 'surreal.'

Most of the time, as an artist, I can be self-indulgent, fulfilling my own impulses, embracing imagery that contains poetry on my own terms, without immediate regard to an audience or the particular placement of my finished work.

A poem generated by its own laws may be unrealized and bad in terms of so-called objective principles of taste, judgement, deduction.

When I get depressed, I try to get something for the terrible sadness that comes over me and create something in terms of poetry.

One night, I lay awake for hours, just terrified. When the dawn finally came up - the comfortable blue sky, the familiar world returning - I could think of no other way to express my relief than through poetry. I made a decision there and then that it was what I wanted to do. Every time I pulled a wishbone, it was what I asked for.

I was playing a singer-songwriter, so I started writing, and I started going up to different places around Los Angeles and reading poetry of my own, which terrified me, but I had to do it. I picked up a guitar and started learning guitar.

My friends never talk to me about my poetry because they're embarrassed that I write it or they're embarrassed by what I write about which are not such extraordinarily terrifying things, but they are the state of human existence.

Poetry is the language we speak in the most terrifying or ecstatic passages of our lives. But the very word poetry scares people. They think of their grade school teachers reciting 'Hiawatha' and they groan.

The first test any poem must pass is no longer, 'Is it true to nature?' but a criterion looking in a different direction: namely, 'Is it sincere? Is it genuine?'

'A collected poems' is either a gravestone or a testimonial to survival.

I would say that American poetry has always been a poetry of personal testimony.

A poem can provide testimony. A poem can provide solace. It can provide a connection.