Quotes About Episode

I've always felt that I wanted to make a Marvel film... I just want to make sure I'm not making an episode.

The TV schedule is essentially four or five days to get in touch with the story you're doing that week.

I did a musical episode of 'Scrubs.'

I would love for TNT to run the whole season at one point. I don't think that'll ever happen, though.

In daytime, you're shooting an episode a day, which is on average about 90 pages of script a day. That is very hectic. On '90210,' you get to work through it a little more. You're not just flying through it just to get it done.

Most shows are normally 40 or 50 pages.

I've played four roles on 'Star Trek.' My favorite episode was 'The Visitor' on 'Deep Space Nine.'

My first proper credit was a small voice-over on an episode of 'The Sopranos' when I was, like, 11 or 12.

If you keep hearing the same thing over and over again from your fan base, you should pay attention to that. But that's just another bunch of loud voices in your ear. I would imagine it makes it very hard to stay in touch with your own gut. You try to think of it as just another episode, but that never works. It just isn't.

You could go to Estonia and there's probably an episode of 'Seinfeld' playing there. Television is a very powerful thing.

Near the end of Donald Trump's first year in power, for instance, The New York Times reported that, before taking office, he had "told top aides to think of each presidential day as an episode in a television show in which he vanquishes rivals.

I can't remember what episode it is but there's an episode of Prodigal Son' where I wake up in my underwear and, you can see, I can put the beef on!

It's funny. I did give birth to an alien on 'The X-Files.' And it's just the teaser, so I'm dead before we even get into the episode.

I wouldn't want to be in a Lisa episode. They're kind of boring. Maybe a Homer one would be better.

In 'Sugar' I'll be singing in every episode and I'll be acting and doing comedy. It's ideal for me if it works.

My only hesitation after 'Law & Order' was that I didn't want to be in a super dry procedural like that. I found that satisfying, but very tough because every episode was kind of the same. It just is with that show.

The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine.

We have strong preferences about the duration of our experiences of pain and pleasure. We want pain to be brief and pleasure to last. But our memory, a function of System 1, has evolved to represent the most intense moment of an episode of pain or pleasure (the peak) and the feelings when the episode was at its end. A memory that neglects duration will not serve our preference for long pleasure and short pains.

In a film you only get two hours to do this big arc and so you have to pick and choose your moments carefully, but with television you get to take your time and just take it episode by episode and discover new things.

I saw the pilot, you know, because you have to have some knowledge of the piece that you are in, but I never saw an episode of 'Lost.'

The TV show 'How It's Made' brings the intricate details of assembly lines to numerous North American living rooms. But if the series were to ever branch into exposing the secrets of music production, Colin Stetson's 'New History Warfare Vol. 2: Judges' would make for a mind-bending episode.

I got pantsed in 'Bar Wars,' the number-one rated episode of 'Cheers' all time. I'm very proud of that.

My SAG card was from doing 'Blue Bloods,' an episode called 'Justice Served.'

I grew up in Chicago, but when I was 12, I came to New York because I was doing an episode of 'Law & Order.'