Quotes About Episode

I remember watching the premiere of the pilot episode of 'Next Gen' when I was a teenager.

Television doesn't get any better than the second episode of 'Castle.'

My first ever-ever professional role was in a television show in England called 'Love Soup.' It starred Tamsin Greig. I just played a small role - I think officially my role was 'teenage boy' - it was one episode.

When you're making a television show, it's about the story and arc of the show rather than any particular episode or director.

By early 1971, I had been acting professionally for 18 months - theatre work and my first telly, an episode of 'Dr. Who.'

We did have that, in the background of the character and the show, 'Mindhorn,' set on the Isle of Man, that every episode they would have to mention the temperate microclimate of the Isle of Man.

Yet the episode suggests that Fanny may have been aloof in the outside world and showed her emotions only in private.

The date here is very interesting, because, as far as I can determine, the first Star Trek episode to refer to a black hole, which it called a black star, was aired in 1967 before Wheeler ever used the term in public.

I look at each episode in two ways - from a design standpoint and from an entertainment standpoint - this is TV, after all. We usually succeed on at least one of the levels.

I didn't get paid to write professionally until my first episode of 'Kyle XY,' which was the fourth episode of the first season.

There are a few things for the New York actor that you hope to one day cross off the bucket list. One of them was I got to do an episode of 'Blue Bloods,' which was really fun.

I think audiences can feel when they're being served a filler episode.

Maybe I'll write an episode of 'Black-ish' about a guy being fired in late-night.

First of all, it was in my contract. I knew I would be directing an episode.

It's a fascinating job, to come in and be the most interesting person in an episode. Whoever the guest star is, that's the job - to maintain the interest and the focus for that 42 minutes or whatever, and it should be a huge relief to those people that are the leads in the shows.

I don't watch scary movies. Sometimes, even having to read the script and do an episode of 'Grimm,' I get a little tense because I know someone's going to jump out of somewhere.

I wrote Steve Carell's last episode. I think it was a really good episode, but there's always a tension between what's good for the series and what's good for an episode, because the more closure you put on an episode, the more significant feeling it is.

A lot of us saw Blackadder in terms of problem-solving - 'Did that work in that episode?' and so on. We were very picky.

When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things.

Whether unnerved by the episode or upset at having paid the unnecessary premium, Rockefeller went home ill that afternoon.

This episode, which she thought so sordid, and which was so tragic for him, remained supremely beautiful. To such a height was he lifted that without regret he could now have told her that he was her worshipper too. But what was the use of telling her? For all the wonderful things had happened. 'Thank you,' was all that he permitted himself. 'Thank you for everything.

I never really see entertainment as a noble pursuit necessarily, but people really want a sense of normalcy, even if it's being delivered to them in a 'Hot Ones' episode.

Something that I learned from 'Friday Night Lights,' sometimes if you have four or five scenes in an episode, it's not having less than having 10. It's what you do with those scenes.

My first 'SNL' episode was with Michael Phelps and Lil Wayne. And if you go back and watch the monologue - it was supposed to feature Barack Obama, but we couldn't get him - it was with William Shatner. But if you watch it, Guy Fieri is sitting in the front row.