Quotes About Characters

A lot of my characters in all of my books have a self-destructive urge. They'll do precisely the thing that they know is wrong, take a perverse delight in doing the wrong thing.

I've played historical characters before, and I think the trap of all of them is if you try to do an impression. If that's what you're working on when you're doing a scene, then your focus is on the wrong thing.

I do feel in 2018 that pro wrestling has gone in such a different direction. Before, things were so black and white; now, it's shades of grey. It's not so much good guys and bad guys: there are people who are put in situations who do the right or wrong things, but people react to them like they are stars.

I love playing women, and I think that this is a throughline to a lot of the characters I've played - they all have this aspect of being wronged. And I think, a lot of the time, the characters are actually wronged by themselves, and they find someone else to blame it on.

People like Frank Zappa and Bryan Ferry knew we could pick and choose from the history of music, stick things together looking for friction and energy. They were more like playwrights; they invented characters and wrote a life around them.

'Game of Thrones' is the broadest of narratives. I don't know if anyone in the U.S. has done a story on such a large scale before, both in terms of what George R.R. Martin wrote and what's on the show.

TV's hard work. I don't know how the hell Angela Lansbury survived doing 'Murder, She Wrote' all those years. And sure, everyone wants to be Bruce Willis or George Clooney - they want to be in film for the range of characters you get to play.

I talk all the time about how much I read growing up and how much I love Stephen King and how he impacted my work from a genre perspective, but Pat Conroy wrote some of the most magnificent stories about characters who had to deal with dysfunctional families and try to find a place of honor in their own world and the pain of loss.

I wrote four novels under the name Amy Silver. The first one was commissioned, and I was given basically the whole plot and the characters. They told me what to do, and I went straight away and did it. After that, I continued, and I was coming up with more my own ideas, although they did steer me.

The emotions triggered by fiction are very real. When Charles Dickens wrote about the death of Little Nell in the 1840s, people wept - and I'm sure that the death of characters in J.K. Rowling's 'Harry Potter' series led to similar tears.

I've worked my entire career to try to broaden the perception of the WWE. A lot of folks think because we're so entertaining and oftentimes have such wild and well-defined characters that it's all we are. It has kind of been my life's work to tell the public that's not true.

I had several decorated characters within the WWE that I was really proud of, coats of paint that changed that I could show a different side to the audience, because I've been in front of them since I was 20 years old, and none of them were necessarily the right one.

You have to think about the WWE as soap operas.

That's what we do in the WWE: we tell stories; we're characters. We go into the ring, and my character is telling a story in the ring against another character.

I loved 'WWF No Mercy' for the Nintendo 64. One of my favorites games was 'WCW Thunder.' I loved playing that game, and I loved being The Steiner Brothers. They were so cool, and they were some of the most powerful characters.

At his heart, Shakespeare was a YA author. So many of his plays are set with high school-aged characters. He understood the passion, the confusion and drama that marks that life stage.

I think that's what distinguishes YA from adult fiction - it's not just the age of the characters, but it's the sense of hope. Because I don't think I've ever read a YA book that feels completely hopeless at the end.

When I looked at the skeleton of 'Damn Yankees,' I saw an indestructible story, absolutely original characters, one of the freshest, sassiest American scores of the century, and some outmoded equipment.

Sometimes I know what my characters are moving away from or toward; more often I just wait and see. For instance, though I knew Sinkler in 'The Trusty' was going for water, I did not know that he would meet a fetching young farm wife until I got him into her front yard.

I still have a problem with nuns. I follow them around like a kitten with a ball of yarn. After a while, all my characters become very close friends.

Yeah, you know, within the context of TV families, these are pretty unsavory characters.

Yeah, I've always been accused of having a sense of mischief and I'm very flattered that you say you can see it in the roles I play, because I think that's important, even if I do play intense characters, like especially Christine Cagney.

We give you characters we'd feel very comfortable judging, and then go: 'Oh yeah? Watch this'.

I enjoy listening to classical music and heavy metal. I play basketball and try to go diving at least once a year. I don't really have hobbies in the traditional sense... I engage in too many activities already through the actions of my characters.