Quotes About Characters

The Ewoks were definitely a challenge of writing 'The Jedi Doth Return.' After having done so many things with characters who don't speak English, how was I going to make them stand out? Jedi is also rich with emotional material, particularly Darth Vader's transformation from the dark side back to the good.

I write to relieve an intellectual itch. I stumble across a hitherto neglected set of events, transformations, characters, or source materials from the past, and they nag at me until I make sense of them in words. But I also write to seduce and to make my readers think.

I think casting is everything. You get a great cast and - certainly, as happens in 'The Hour' - so many of those performances on the page were transformed by those actors who took those parts and made it into something completely different.

I know that when I watch TV, I want to be transformed and transported, not just by the characters that I grow to love over the hours and seasons of watching but also the world that it plants me into.

I really think that the 'Jersey Boys' musical - and this is just my opinion - lends itself to being cinematic in some way, because it's a jukebox musical; the characters break into song only for the scene transitions.

Most writers have no idea how to make a film. It's a totally different skill set. Nor is it just to translate exactly what's on the page directly on to the screen - because that would be terrible. It would be five hours long, and the structure would be a mess. But the writers know the characters and the story.

What makes literature interesting is that it does not survive its translation. The characters in a novel are made out of the sentences. That's what their substance is.

'Transparent' was huge for me when I first saw it. I felt that, from an authorial point of view, no one was trying to sell characters to us, you know? It's the idea of not having to adore these characters and want to cuddle them; you just have to be into them and their psychology and be compelled by them.

People who are exactly like other people probably don't exist. But people who seem like most other people litter our lives, and we don't usually seek their company because they are boring. Readers don't read novels in order to experience the boredom they often experience in life. They want to meet interesting people, extraordinary people, preferably people different from anyone they've met before in or out of fiction.

The secret of creating conflict in scenes you write is to give your characters different scripts.

Oh, that, certainly, but not only that," said Margaret. "Different people regard rules differently, no matter what those rules happen to be. Mutinous characters like me always resent constraints, even perfectly sensible ones, but there are some who welcome their existence and enforcement because it makes them feel safer. Protected.

I think I've been very lucky. The readers who write to me say they like the characters and the sense of a real world, often one they don't otherwise know about. And usually there's a funny bit in there somewhere.

People always love and respect characters who speak the truth, even if the truth hurts.

No matter how extreme things get, it still has that ring of truth about it that backs the characters - even though they're despicable and what they're doing isn't right you still care for their fate.

Readers embrace all kinds of characters as long as they are written with emotional truth.

For me, I don't feel it is a success in the career to be the pretty woman; career success comes from being characters who tell us something about the truth.

I love finding the vulnerability in characters. There's truth there. There's beauty in vulnerability.

When I write, I actually hear the characters speak. Almost like an actor - even though I'm not an actor at all - getting into their truth and to justify what they do.

It was fun to create characters who had truth to them but were also made up so as not to completely offend!

Truth is not exciting enough to those who depend on the characters and lives of their neighbors for all their amusement

Maybe the midnight disease was like that, too. After a while you lost the ability to distinguish between your fictional and actual words; you confused yourself with your characters, and the random happenings of your life with the machinations of a plot.

You ask me what you will be there. But what are you here? What are you creatures of Fantastica? Dreams, poetic inventions, characters in a neverending story. Do you think you're real? Well yes, here in your world you are. But when you been through the Nothing, you won't be real anymore. You'll be unrecognizable. And you will be in another world. In that world, you Fantasticans won't be anything like yourselves. You will bring delusion and madness into the human world.

Es ist komisch. Es gibt einen Moment, wo man mit seinen Figuren nicht mehr machen kann, was man will, wo die eine Art Eigenleben kriegen und man eigentlich nur noch hinter ihnen hinterherschreiben muss. Und das ist ein gutes Zeichen, wenn dieser Punkt erreicht ist. Weil das heißt, dass die Figur wirklich ein Leben gekriegt hat.

While I have used real names and characters and historical situations I have also used more personal pieces of friends and fathers. There have been some date changes, some characters brought together, and some facts have been expanded or polished to suit the truth of fiction.