Quotes About Characters

If you're looking at my other major science fiction roles - the Doctor on 'Star Trek' and certainly Woolsey on 'Stargate' - I often play characters that might be good theorists and good thinkers, but you wouldn't call either of them very macho characters.

'Star Trek' was always a little bit closed emotionally. I never connected to the characters.

One of my favorite things about 'Star Trek' wasn't just the overt banter but the humor in that show about the relationships between the main characters and their reactions to the situations they would face; there was a lot of comedy in that show without ever breaking its reality.

You can't escape 'Star Trek' influence, especially characters you literally grew up with.

I wasn't a 'Star Trek' fan, yet I knew who all the characters were. that goes to show what an impact the show had not just in entertainment but in life. I knew who Chekhov was and I knew who Kirk and Spock were, although I probably had never seen the show.

It's always the great thing about being involved in such a legacy series such as 'Star Trek' is you'll always want to know more about the characters that you love.

There are always leading characters. There are always complex characters; there are very rewarding plays with great directors and tremendous playwrights, yeah. I've done a lot of things with theater that I'm very, very proud of.

I'm still tremendously proud of 'Crimson Petal.' I'm still very emotionally involved with these characters. I still care about them.

I think there's a tendency for actors like myself, and I don't mean to generalize myself, but I've played 'men's men,' if you will, characters that are simmering rage and calculated. There's a trend not to play anything that is opposed to that.

I really just choose stories that are compelling, have interesting trends and characters, and hopefully say something larger about society.

I thought Korra was 17 so Mike and I have to get our stories straight. The main characters are in their late teens, we've always loved those kind of teen love triangle type stories and there was plenty of that in the original series.

Fictional people are people, too, otherwise why would we care what happens to them?

I'm very sassy. I want to show people in my album I'm not like my characters on TV.

This is how stories end, with all these leftover characters, nothing left for them to do.

Tolstoy's characters seem to come forward to meet you, very conscious of the impression they are making on one another and on the reader.

This is Quick Ben's game, O Elder. The bones are in his sweaty hands and they have been for some time. Now, if at his table you'll find the Worm of Autumn, and the once Lord of Death, and Shadowthrone and Cotillion, not to mention the past players Anomander Rake and Dessembrae, and who knows who else, well – did you really believe a few thousand damned Nah'ruk could take him down? The thing about Adaephon Delat's game is this: he cheats.

I think the whole Flawless thing backfired in my face. I'm just like, 'oh, man! We're out here calling ourselves Flawless, and being the most obnoxious characters, that even I wanted to slap myself sometimes!' Even I would get sick of watching myself on TV!

I did 'Malice,' 'Sommersby,' and 'Sleepless in Seattle,' and they're as disparate characters as I've ever played. But somehow, there was that thing - they were all second male leads, so they all didn't get the girl in some weird way.

'Game of Thrones' is taking dense novels and trying to shrink it all down to a slightly manageable series in the sense that there are so many characters and so many locations.

I can't help slightly falling in love with every character I write about. And I quite like writing about people who are vilified.

There are some films that you know will do well. Then there are others which have good stories that ought to be told. But because they are slightly risky, not everybody is willing to take that up. But I think it is important to take risks because at the end of the day, you want to explore new genres and new characters.

I did work more realistically: I used real anatomy, faces with expressions - not Dick Tracy with his one slip of the mouth and that's it, but actual expressions on the faces that made the characters look like they were saying what was in the balloons.

Sometimes the characters develop almost without your knowing it. You find them doing things you hadn't planned on, and then I have to go back to page 42 and fix things. I'm not recommending it as a way to write. It's very sloppy, but it works for me.

In Hindi films, there is a definite slot for every character and situation.