Quotes About Characters

It's only recently women got to be action heroes on TV. Progress is slow, and often non-existent. There's plenty of cool comics with female characters... But all it takes is one Catwoman to set the cause back a decade.

Writing a book is a long and difficult process for me. I'm a slow writer, so I spend the year with Elvis Cole and Joe Pike in my head. I was thinking about this the other day. I wrote the first book in 1987. Literally every day since that time, Elvis and Joe have been in my head. They're always there. I started these guys because I like them.

I find that I am much slower in the beginning of a book. I am thinking of the plot, of the characters and who they are, and where they are going. I often throw out a lot of the writing I start with, because the characters and plot improve as I write. Or perhaps I should say it is my hope they will improve as I write.

A lot of people just ask me about how I can do small budgets and big budgets, but many actors do both. I think the more self-destructive impulse I have is doing so many different characters.

I'm really passionate about representation in film. I feel like the world is dominated by such a small group of human beings. There are so many different kinds of people that aren't represented, that don't have characters who look like them.

What I like writing about are people's relationships, not necessarily great big dramatic things but the smaller things in life and how they affect characters and challenge and change the people that they are. I do like a happy ending, so my books have to have a happy ending.

I really loved making 'A Walk to Remember', so I'm not afraid of making smaller films. But for me, I just need to connect to the characters.

Dolly Ki Doli' excited me because it has unique characters. Though it is a smaller film and without a big star, it is still a mainstream film.

Action shouldn't just be seeing all those crashes. You can blow up a cathedral; next time you blow up the Great Wall of China, and then what? But when you're in love with your characters, the smallest action becomes an important action.

I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.

A writer appears in everything that he does. That said, I felt like writing characters with my own name, in fact, provided me with something of a smoke screen.

Hope and Crosby made seven 'Road' movies, starting in 1940 with 'Road to Singapore.' The movies were always about Crosby and Hope fleeing America and finding Dorothy Lamour in some exotic location. Bob's character was cocky and cowardly; Bing's character was smooth and unruffled. They were great characters - lousy, lovable guys.

I make no secret of the fact that writing She-Hulk can serve as an opportunity for me to sneak in some really cool characters that I personally love. Some will be obvious fits, but others will come out of left field - but that's what's fun about the Marvel U - the bench is deep.

There's immense fun to be had as long as you can sort of sneak it past DC. I have been told on occasion that I need to have more respect for these characters.

There's a lot of cool stuff going on in independent film. But obviously, yeah - all the comic-book-franchise stuff is deeply boring. But these comic-book characters are the pagan pantheon of gods in today's contemporary culture. It's so important to so many people.

I've made movies that are real boy movies - but I've had so much fun over the years working with women and getting good performances with women and with strong female characters.

I don't tend to cast roles in my head because I spend so much time with these characters and the drawings that they're complete in themselves, you know what I mean?

Once I've properly finished a book, my ideal state of being would be to never think about it again. But with 'Capital,' I felt I'd spent so much time with the characters that they were very, very real, and I definitely had a sense of loss about leaving them behind in a way I've not quite had before.

Of course I know that the twins are only words on a page, and I'm certainly not the sort of writer who talks to his characters or harbours any illusions about the creative process. But at the same time, I think it's juvenile and arrogant when literary writers compulsively remind their readers that the characters aren't real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative.

UFCNo such thing as childhood memories, he says. We're just playing games with our neurons every day, tossing them around the hippocampus, constructing little fairy tales featuring characters named after people we used to live with. 'Your dad is just a flurry of molecular activity in your frontal lobe' he'll tell you...

No such thing as childhood memories, he says. We're just playing games with our neurons every day, tossing them around the hippocampus, constructing little fairy tales featuring characters named after people we used to live with. 'Your dad is just a flurry of molecular activity in your frontal lobe' he'll tell you...

Confession: I don't want to be one of my characters. I'm mean to them sometimes. Really mean.

The characters in my novels are my own unrealised possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented.

The novel is a meditation on existence as seen through the medium of imaginary characters.