Quotes About Characters

I just like the prospect of playing lots of different types of characters and just the opportunity to challenge yourself, do something different and surprise people.

It's really kind of a luxury for an actor to have the opportunity to show such different types of characters. I actually left 'Cowboys & Aliens' and went straight into 'The Change-Up.' It was kind of a funny change of pace.

I try to be eclectic in my choice of films. If I've done anything that's intentional in my career, it's to try to do as many different types of characters and as many different types of genres of movies that I can.

It's not like I don't want to play the guy next door. But sometimes they're not the best written or the most complicated. But I am very, very particular about my bad boys. There are certain types of characters I will not play. I've said no so many times to so many parts that are just way too dark. You have to be careful.

There are certain types of slightly hysterical human characters who, rather than creating, walk around with a sense of their own potential - it's as if they themselves were art objects. They feel as if their lives are written narratives, or pieces of music.

I think there are certain tenets set in place for all different types on genres. For thrillers, women usually die first. I can't say exactly why, and it's kind of a bummer... But I also can't explain why the wallflower girl in the romantic comedy always gets the guy in the end. That's just the way those movies go.

There's two types of character actors. There's character actors who play all different characters. Or there's actors who always play the same part; they're just a bit funny-looking.

I was really into more over-the-top, entertaining kind of characters, larger-than-life types of things. That's the part of wrestling that I really enjoyed.

My father was a TV scriptwriter. He would perform his dialogue out loud, while my mum transcribed it at the typewriter. So I grew up thinking that plucking characters out of the air was an extremely normal way to behave.

There wasn't a single good character in 'Titanic' who was English and this is typical.

I think about the characters I've created, and then I sit down and start typing and see what they will do. There's a lot of subconscious thought that goes on. It amazes me to find out, a few chapters later, why I put someone in a certain place when I did.

I think about the characters I've created and then I sit down and start typing and see what they will do. There's a lot of subconscious thought that goes on. It amazes me to find out, a few chapters later, why I put someone in a certain place when I did. It's spooky.

It's a funny show. The characters are surprisingly likable, given how ugly they are. We've got this huge cast of characters that we can move around. And over the last few seasons, we've explored some of the secondary characters' personal lives a bit more.

I have tried to create main characters who are drastically different from the types who generally appear in crime novels. Mikael Blomkvist, for instance, doesn't have ulcers or booze problems or an anxiety complex. He doesn't listen to operas, nor does he have an oddball hobby such as making model airplanes.

The American horror movies are more moralistic, they have not only good characters, but characters where the ultimate danger is death. What I like about European cinema is they have another sense of what's good, what's bad, and sometimes all the characters are far more complex than just that. It's less binary, the Giallo genre.

Characters have changed my mind about some very fundamental moral issues, and that's the real satisfaction in the way I write - the ultimate learning experience.

I love acting, and ultimately all my characters are very different, and each character I love in a different way.

I think that, ultimately, there are so many characters in G.I. Joe that even all the iterations - the comics and the different cartoons and everything - have been a big ensemble. Lots of crossing storylines and stuff.

It's hard, because when you talk about process or your characters ruling your narrative, it sounds like you have no control, but obviously you're ultimately the author, so you do have control.

After I finished 'The Darkest Minds' series, I knew I wanted to take a risk and work on something completely different - lighter in tone, with a little bit more romance, and a completely different set of characters - that would also, um, finally justify my liberal arts degree.

European shows are unafraid of investigating philosophical questions on behalf of their characters or elevating imagery or letting moments play out.

Whether or not you agree with Ayn Rand - and I have certain issues with some of her beliefs - the woman can tell a story. I mean, the novel as an art form is just in full florid bloom in 'Atlas Shrugged.' It's an unbelievable story. The characters are so compelling, and what she's saying is mind-expanding.

I am a tremendous 'Star Wars' fan; I know the story means an enormous love to me. I love the characters.

I'm a big Star Wars fan.