Quotes About Characters

This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously. Any resemblance to actual events, locales, organizations, or persons living or dead is entirely

whom I first had the pleasure of working with while at Avon Books. It's also my very first non-genre novel, although you will find it a signature Tanya Anne Crosby read, filled with flawed characters, and brimming with emotion. Set in Sullivan's Island, South Carolina, this book takes me home and is both deeply personal and intensely satisfying, in terms of pushing the storytelling envelope. In a sense, I've opened a vein with Zoe's

The Girl Who Stayed is also a book of the heart and I couldn't be more thrilled to see its publication. In my twenty-six years of publishing, it's my first major hardcover release and brings me full circle to work with Lou Aronica, whom I first had the pleasure of working with while at Avon Books. It's also my very first non-genre novel, although you will find it a signature Tanya Anne Crosby read, filled with flawed characters,

There's a lot more to see when you're playing and because of the advances in technology it makes room for all kinds of new characters.

Please understand that. But it's essential we stay vigilant in the protection of our characters. What does a

And more still about the characters of those around them by studying their reactions to the secrets revealed.

Por un momento no tuve claro si estaba soñando o despierto, porque me sentía como si acabase de entrar en un cuento, y la idea de que podría hablar con sus protagonistas y participar en los acontecimientos me produjo vértigo

Pilots are so hard because you have to introduce all these characters, you have to hook an audience, and an audience has such a smaller attention span than maybe they used to have.

I've had a huge career of killing off characters. Low attention span. Done that, that works, done. I can't get out of bed if I've got to do the same thing over and over again.

I can't inhabit my characters until I know what kind of work they do. This requires research because my jobs for the last decade have been author and professor, and I'd like to spare the world more author or professor novels.

The initial spark, your affection for the characters, all those things can disappear. It's a perilous thing.

Some of my books sort of have a provocative take. Sometimes you find interesting things about characters that show they weren't necessarily the way people usually see them. It can make for lively conversations, but that's great. Spark a little controversy, get people to think about it. That's what it's all about.

What comes easiest for me is dialogue. Sometimes when my characters are speaking to me, I have to slow them down so that I'm not simply taking dictation.

Novels have much more space than short stories, which gives you more leeway with the number of characters you can include. Even 'furniture' characters can be described and given speaking parts to develop background or atmosphere.

It's a dead give away of an inexperienced writer if every character speaks with the same voice.

Getting to work with good filmmakers and getting to play good characters in films is so special.

Now there are certain things you have to prepare - like dialect and special skills. But in the moment, interaction between two characters on the page doesn't need - for me, I don't need to prepare that.

Besides the mistakes that are pointed out, I love the way readers become involved with the characters. When readers start asking about character motivations instead of concentrating on the special effects, it means you're connecting with them on a personal level.

When you watch the films that I'm inspired by - from the '60s and '70s - it's not about the special effects: it's about the story; it's about characters and relationships.

All the roles I've played have a very special place in my heart.

Ever since I did 'Hamilton' I'm really specific with the projects that I choose and the characters I choose and how they're portrayed. I was meaningful with my craft before, but I think after doing something that can change people, the direction in how I go within this business has changed too.

What I remember myself from films, and what I love about films, is specific scenes and characters.

A movie as specific as 'Heathers,' which took place in a specific time and specific place and in which many of the characters got killed off, I never thought it made sense to see a sequel.

I try to represent specific experiences of specific characters, and that's all I want to try to do. I don't ever try to think about representing a culture, because its impossible, and someone will fault you. And it just doesn't interest me.