Quotes About Studio

I am an architect at heart. I designed every home I've ever had, plus my studio.

I want everything that I've worked for to go into my pocket. I want all my money to come to me. I'm very much hands-on with my career, and I like to do what I want in the studio - I don't like being told, 'do it this way' or 'do it that way.'

I'm a big believer in the benefit of a home studio. You're sitting there and maybe you don't know the next line. So you go outside for a second, maybe. Make a sandwich. Play with the dog. Or watch an episode of 'The Office,' whatever. And then it clicks, you run back into the room, and you've got it. It's not like your creativity is on the clock.

See what I do is I book a studio that's closed down and I go by myself. No one's in there, literally just me and the engineer.

We're in an on-demand world. You can do real-time commentary now with no barriers. I don't have to drive to a studio, don't have to put makeup on. I don't have to go to a studio and get miked up.

Matter fact, my girl complains about how much I'm in the studio working. But she sees the results as they roll out.

I hardly ever go into the studio with a work complete in my head. It emerges from communal activity.

Usually I go to the studio to write lyrics and compose music. I try to be a dad as much as possible at home.

Performing was always something that I actually used to do before I settled in the studio as a composer.

Mithoon is a composer who really likes to work a lot on his songs. He is like a small kid in the studio.

When I'm by myself - composing or writing film scores - it's very lonely. I'm just sitting by myself in the studio.

For 'Rock On,' we not only acted as rock musicians; we also went into the studio to record songs and jammed live to get the concert feel right.

I grew up on video shoots, in the studio, backstage at concerts.

The studio is the place for me to really confront my feelings and get it all out. I love being in that space and creating, doing what I love, making art.

Sometimes I don't go into the studio for quite a while because I haven't found enough good songs. They have to have a certain caliber and connect with me because I'm going to be playing them for the rest of my life. I start off with a circle of friends whose songs I love anyway.

In the ballet studio, it was such an organized and disciplined environment, like I'd never had in my life. Seeing myself in the mirror, surrounded by the classical music, that's when I started to fall in love with dance.

I like making black and white films in natural surroundings, but I much prefer shooting a color film inside a studio where the colors are easier to control.

I do think I had a big advantage for the first four years I was in broadcasting, that no one really saw me. One of the big disadvantages superstar players have is they go right to the 'A' game, or the studio. I got the obscurity, making mistakes, learning from them and surviving them.

I've been with Rita Ora in the studio doing a song of hers. She's amazing. She's a sweetheart.

I love swimming, and when I'm choreographing something I'm in the studio dancing all day, every day.

I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.

Of course, it gave the studio an enormous power, because I don't know any other place who had that skill with images to communicate with. And the need of these kinds of images are even greater now than they ever were because we are losing our life symbols.

For Sony, owning a studio is a gamble and probably a pretty good one, now that in the broadband era having content is a great advantage when you sell devices that in a ubiquitous world of distribution can actually show programs, movies, content directly to the consumer. So that you actually create, in a digital world, real synergy.

I know there are pros and cons about the studio system.