Quotes About Studio

I'm a portrait photographer that's used to shooting celebrities, and I usually need time and all kinds of lights and a studio to set up my shots.

My dad was a photographer, so we had all these studio portraits of us.

When I go in the studio, I put myself into a place where I'm feeling something I want to portray, which is often being sad, lonely. But as soon as I'm starting to make something, it's when I'm the happiest. Ever. I think that comes out at the same time, so there's that juxtaposition.

I'm certainly aware of the fans. I'm always hoping that what I'm doing is something they'll like, because I do appreciate them. But, no, when I get into the studio, it's all about what I like. It's the same thing that led me to the possibility of making that first Boston album, which was to divorce myself from all other influences.

It's really weird being placed into something like that because it was never an intention to make bedroom pop. I was just making music. All the people that have that genre placed on them are not the first people to have a home studio and and post it on the Internet.

I had this vision of shooting a great white in the studio with all the edge lights I use for movie posters. I knew that I couldn't bring the great white to the studio, so I had to bring the studio to the great white.

I'd always wanted to do an R&B and soul record; a friend with a studio asked to come by and record a couple of songs, maybe just make a 45. Then the songs started to pour out, and pretty soon we had eight or 10 songs down.

Acting comes first. I would love to make an album. I was at an event... for Dionne Warwick, and we got to go in the studio and go crazy. I love singing, but it's very time consuming. I have to make time for it.

Having Dierks Bentley on a song is one of the coolest things I've ever gotten to experience. For one, him agreeing to do a song with me but two, getting to share that moment in the studio.

I've never been in the studio world; TV is as close as I get to the more corporate approach to making entertainment.

No, I don't spend a lot of time in the studio, man. I truly don't. I'll be in there when I have to. I hate the containment, I can't stand the schedule crap.

I played around with GarageBand before, but I'd never actually made a proper song. So it was getting into the studio with him where I made my first proper song. I've always loved creative writing, so I had done that as well.

When I'm in the studio, I'm looking for creativity I haven't matched yet, a feeling I haven't felt. It's a high.

On matinee days I could never be sure I'd make the curtain for the matinee. I'd put on my makeup in the morning, rush to the studio and do the radio shows,then try to get across town before the curtain went up.

What I will say - one thing that is attractive about getting a real film made within the studio system is that studio systems, with their marketing and distribution, have real power.

So when it was my turn to start developing projects, I knew the writers I wanted to work with, and I had met every head of studio, every executive and a lot of producers. I started finding things, little crumbs off other people's tables that I would make my own.

I would love to be one of the few artists that hits a point of success and can go back into the studio and make another album that matters and relates to people and not go back in and be super tainted by this whole thing.

I am taking a break, but not a huge break because the Maiden record is actually happening right now, and I am recording it as we speak, well not right as we speak, but close.

After I left the Pumpkins, I went home and just sat around. I have a studio in my basement, and I found myself writing all these songs, just taking advantage of the relaxed situation. I wrote about 30 songs in about 30 days.

I loved all those classic figures from the '30s and '40s... Bette Davis, Joan Crawford, Humphrey Bogart, Rita Hayworth. They had such glamour and style. I loved the movies of those times too - so much attention paid to details, lights, clothing, the way the studios would develop talent.

When a movie is being rolled out, the studio publicists and all our individual publicists get together and come up with bullet points and talking points - 'Make sure you stay away from this,' and 'Don't say that quite that way, because that quote can be taken out of context,' and that kind of thing.

Renbourn recorded his great second LP Another Monday in the makeshift studio at Bill Leader's Camden Town flat.

Alone by choice on Saturday nights, writing by an open window in his studio apartment, Gregory had experienced a kind of euphoria: a swelling, bursting, yearning hunger that had something in common with lust but included everyone, from the revelers outside his window to the carousers down the hall. He was where he wanted to be, and needed nothing else.

The day my daughter was born, I was still in the studio, trying to work on my Venus Binding the Wings of Cupid in the intervals between labour pains.