Quotes About Studio

By the time The Band did The Last Waltz, the chemistry had changed, and it wasn't a thrill anymore to live that studio kind of life.

I really feel there's no limitation on what this band can do in the studio or on the stage. That's an empowering feeling - that we can bring a song to life.

It was people sitting in their little studios going plink, plonk, plink, plonk on one track, and then putting a vocal on the other or making a bass drum sound out of a synthesizer. Plus, we all started to listen to Europe rather than America, as that was where all the electronic experimentation was coming from, from Kraftwerk to Jean-Michel Jarre, from Telex to Yello, even the Yellow Magic Orchestra from Japan.

It costs a lot of money to make an album in a studio in New York with a producer and musicians. I have to pay a publicist every month. I have to pay for mastering, production, the manufacturing of the discs. Then, to promote an album properly, you have to spend a lot of money.

When you're external to a publisher, most independent developers live on paranoia. The mainstay of every day is paranoia - every indie company believes their publisher in some way has these Machiavellian plans that will cause disaster for the game and the studio.

If you're a film studio, you're making a movie for a foreign market. You're pursuing ideas that travel well. It changes the movies we see and how movies are made.

I'm willing to give up a little control but not a lot. So I say I want the money, but when push comes to shove, I'm not sure I'll be able to compromise in order to make the big studio movie. Maybe something in between would be okay, like a low-budget studio film.

It's always been difficult to make a good record. To be perfectly honest with you, it's really about the person that's pushing the buttons. No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.

If the interview was done in the studio, Frank McGee would automatically do it. But if I went out and got it, then the interview was mine. So I was considered a pushy cookie, because I would get the interview.

I don't read or write music in the traditional sense, so I have to figure it out on the fly while I'm in the studio.

I was never in the business of trying to put my name out there - I was really focused on music and records and being in the studio.

I wish I was making movies back in the days when John Ford made movies and you were a director under contract to a studio. John Ford had years when he made three movies in a year.

At HBO, you've just basically got a studio full of artistically driven smart guys and women who really care about the quality first and foremost.

You need to get in studio; we're excited about the Pay 1 opportunity with Disney because those movies are not just movies. They're amazing family content that get flexed over and over again, forms great loyalty with our subscribers, and it's a real trust brand for parents as well.

Being in the studio for the first time was a daunting process. I didn't know what the engineers did. A mix? What's a mix? We didn't know what we were doing, but fortunately, we knew people who did.

Usually, in a studio, when it's supposed to look cold, it's boiling hot. And then, the hot scenes, you're freezing.

Everyone's asking if there will be a 'Frozen 2', but at the Studio there's actually been no talk about it!

The only painting in the studio, besides the blue canvas, was the skeleton, mired in thickly smeared oils. I went and stood in front of it. I said, I wanted him to see me, Mister Bones. Bones grinned at me. Maybe Echo is not meant to be seen. She is meant to see.

It was quite nice having a routine, going to the studio every day and finishing off 'Wild World'.

There's this index that tallies up how much your movies have made, and if they haven't grossed a certain amount, then you're not bankable. I know I'm not Will Smith but, you know, my ranking's pretty low. The only studio picture I've done is 'Zodiac,' and that didn't perform that well.

Well, my closest friends are still the ones that I went to school with, but it's nice to go to work, at the studios, and have people there that you're willing to talk to and have a good conversation with.

In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.

Shangri-La is one of the few studios in which you can sit in the control room and open a window behind you. You can feel the light and the air coming off the ocean. You can have a musical world in front of you and the natural world behind you.

Tame Impala's music revisits a time when guitar effects and studio tricks were music's newest frontiers; when rock was barely old enough to drive and violently threw conventional ideas out the window.