Quotes About Studio

There really is a certain magic that happens when you're in the studio. And it's important in life to feel that magic: to feel that there is something greater moving all this along.

I have spent probably years of time waiting in studio lounges - waiting on a mix, waiting on my time to sing, waiting on, waiting on, waiting on. That's just the nature of life.

She liked the life she had. She loved habits. She craved a day with nothing in it, a long, quiet stretch of hours in the studio.

I want to be able to just act and never do any interview, but I don't have the balls to stand up to the studio and say, "I'm never doing another interview in my life!"

I have a fantastic studio in my home, and it's my biggest toy. I have about a half a million dollars worth of musical equipment in my house.

The studio was very nervous about 'Raging Bull.'

I want babies before I'm 25. I want to bring my babies on the road and bring them to concerts and raise them in the studio.

I'm a bit of a geek when it comes to music. I like studio gear. I'm always looking it up on eBay and seeing what I can afford.

In the end when we're on stage, we push buttons, but when we're in the studio we're actually creating music that we play in gigs.

I don't get much studio stuff. I'm usually on location, and I know that some people think that acting is so glamorous, but believe me, it's not!

I knew I needed to make a studio film - not for any financial reason, but because, as a filmmaker, and especially as a female filmmaker, you have to break through the glass ceiling.

I don't get the sense of doing anything of national importance. I travel to the studio, work and go home.

I'm not even going to lie - when I'm in the studio, I'm not like, 'Alright, let me make a hit.' I just try to make good music to the best of my ability.

You get the beats. You write to them. You go in the studio and lay it down. Hopefully, a song comes out sounding good. If it comes out sounding good, you put it to the side with the rest of the other good ones, and you try to decide which ones you're gonna use on the album.

We played all of the songs on the first Johnny Winter AND every day before we recorded them, so that when we got in the studio, it was totally easy, as we knew exactly what we wanted to do.

I thought that some of my best records was when there wasn't a lot of work being done on it, like 'Winter in America' and 'Secrets' and when there weren't a whole lot of people in the studios.

A lot of people have said 'people should see you work in the studio,' because a lot of people don't realize I'm an actual engineer. I don't walk in and have some guy grab the board. I have my own studio and soldered every wire in the studio.

I wanted to do something as an extension of my passion for music. My aim for the STREET by 50 On-Ear Wired Headphone range is to present music as it's meant to be heard, in studio-mastered sound.

I usually do my writing in a very nice room, my studio, which is in the attic of our house in Wisconsin. But the nice thing about writing is that I can do it in many places. So sometimes I'll write in coffee shops.

I wish I could make music about politics. I feel like it's such an art and a talent that I admire tremendously, but when I step into the studio, I step out of the real world, and it's therapeutic.

I wrote a screenplay for 'The Witches,' which Alfonso Cuaron was producing, but we couldn't get it made! The studio just wouldn't greenlight that movie. It's my favorite Roald Dahl book, 'The Witches,' because I grew up with my grandmother a lot of the time, and the relationship between the boy and the grandmother speaks volumes to me.

My experience is that there's absolutely a correlation between the enthusiasm within an animation studio for a given character and the enthusiasm the audience feels when seeing the movie.

The more dollars the studio producers put in, the less freedom we have. If the budget hits $100m, they get scared - they'll take the existing score of a successful movie and expect composers to copy it, like wallpaper. The biggest challenge for any composer in Hollywood is to be as creative as possible within those boundaries.

You want to give the person as much freedom as you can within the boundaries of being a responsible producer with a contract to a studio. It's about giving as much freedom as you can, and the more the filmmaker proves he or she is on the track that you feel good about, then you just kind of watch dailies.