Quotes About Studio

I was born in the studio. I knew I loved music. I found my niche at, like, seven or eight. That's when I knew I wanted to rap.

That's what I used to do; I would just go into the studio and just rap. But it's all about coming up with dope concepts and dope hooks.

I think most people don't know that I really write everything myself. No help. There's nobody in the studio except for me and the engineer. A lot of people don't think I'm a singer. They think I'm a rapper.

As a director, my job is, and always has been, divided into a number of things: dealing with the crew, the money and the studio, and the marketing and publicity. These are all different jobs that have to be learned and done as well as possible. The celebrity part rarely touches a director.

I'm a studio rat. I like going in there as producer.

I'm pretty much a dinosaur in the studio. I like things hand-drawn, even today. The story artists use Cintiqs, but I'm the only person who hasn't completely converted to computers. I like the Cintiq, but there's something about the raw emotional power of using paper and pencil.

I kind of think that's the best way to operate; even when I'm in sessions writing with other artists, I'm always pulling from the kind of emotions that are the most raw in my own life and offering them up in the studio.

After I graduated, I didn't have the resources to go to the studio, which is why I then went to social media.

When you know you have great support from the studio, that's a great feeling, and when it's the creative support, that's great.

When I first got started, I used to say I just want to stay in the studio, I want to make good music, I want to sing my heart out, and I didn't think I'd have people following me to a grocery store or following me home or stuff like that.

I always resented having a guardian and the restrictions of going to school at the studio.

We did 'Bricks' and 'Ridiculous' all in one day. Gucci came here, like, 8 in the morning - we were done 4 the morning the next day.

If I have a male protagonist, it's a studio movie, and if it's a female protagonist, it's an indie movie. That's just how it is. It's not about the studios. It's about America and who goes to see movies. Women are interested in men and women, and men aren't interested in the woman's story. They just aren't.

Before I won 'American Idol,' I'd never been in a professional studio at all. I'm getting more used to it. I'm really weird, though: I sing way better in a crowd of 3,000. It's easier than singing in front of 2.

In L.A., unless you've just won an Oscar or you're Mr. Studio Head, no one talks to you. Even at parties.

It is true that I do not wear shoes as the host of 'Bunk.' I want 'Bunk' to feel like there's a slight possibility that a confident homeless man just wondered into the studio and started hosting a game show.

I think of all the things that I've gotten to do, all the wonderful people that I've played with, being in the recording studio with Phil Spector tops them all. And of course, now he is in prison. I hope to visit him, I still consider him a friend, and what can you say? A terrible way for a guy like that to be remembered.

It hasn't really made it easier getting film work. It's not like I can call up a studio or a producer and say - insert haughty voice here - 'It's Parker. I guess you might know me as the indie queen. I'm wondering if you have any projects for me to be in.'

Recording studios are interesting; a lot of people say - and I agree - that you should have a lot of wood in a recording studio. It gets a kind of a sweeter sound.

Stories come from other shows at other studios where only 2,000 rounds were actually used and the money for the other 3,000 went right into the studio pockets. Corners were cut and that production suffered. Knock wood, that hasn't happened to us.

Every day I'm in my studio - it's wooden and purpose-built at the end of our garden. It's filthy and has got paint everywhere.

Sometimes I wonder if I'm just memorializing my youth when I spent all this time outdoors. I always envisioned my adult life like I'm going to run every day and live in the woods in a cabin if I can - and here I am living in San Francisco and working in a studio.

In our house, the word of Louis B. Mayer became the law.

I'm no diva but I can be annoying in a recording studio. Of course I try to be a diva in terms of confidence of performance and owning a song but I've never behaved like one in terms of the negative connotations of the word.