Quotes About Studio

Roblox is free. The dev tools are free. Anyone can come in and play with Roblox Studio and make a game and push it to our cloud and have it be playable.

I danced a little as a kid here in Canada: in Ottawa at the Elite Dance Studio and at the Top Hat Dance School in Cornwall where I grew up. So I had some experience of having to learn routines.

With 'Slave Ambient', I was writing things on top of loops. Now I really get the structure of the song down, but I leave room for improvisation in the studio.

I have to go into the studio to make my second album knowing I'm making an album. When I first started making songs I didn't have an album in mind, that's why a lot of them I like - I'm talking about how I haven't got a deal, how I'm living, you can never really top the first time, but we'll see how it goes.

I feel like if you sit down and have an assistant engineer and a producer in a top-notch studio and everyone sets up all the mikes perfect, all of a sudden it's really hard to live that melancholy song. It's hard to really live it in the moment.

Exploitation films were famous for taking an issue an exploiting it because they could move much faster than a studio could. If there was any hot topic, they would run out and make a quick movie and make a buck on it, by changing it around and using it, in some way, to give some relevance.

I have been lucky in getting a lot of the projects I've wanted, maybe because I'm really, really driven. But there is a stigma that women can't direct big studio films. Not that I want to do that, but it is a topic that comes up a lot.

First time I met Drake was 2012 at a studio in Toronto.

If you're serious about your music, there's this thing called The Remix Project in Toronto, and it's an art incubator, and it's basically like free school. If you don't got money for studio, you don't have the networks, they help you.

And going into my studio at night, particularly at night when everybody's asleep, is just a total pleasure for me.

One of the neat things about Gearbox that I love is, we don't look at our designs as a totalitarian regime and we're all really happy to let designers and creators within the studio explore in our space.

I would make tea for Joni Mitchell or clean her car, anything to be in the studio and watch her work.

Rembrandt was way ahead of his time. It's as if he was painting an amateur theatrical, or a professional theatrical, in his studio. It's a kind of performance.

I think that songwriting changed when groups started spending more time in the studio.

At any one time, I'll have 30 to 40 pieces going on in the studio, so this is not economically driven at all.

I'm sure you're always working in your head, but when you're actually physically working, you're in your studio, right? For me, it changes all the time. That's something I really love.

There's always music sitting around, but when you're cultivating music, the idea of getting into a studio and compressing it to get something out on time can be really good.

Whenever I have time, I try to get in the studio and write, whether it's for me or other artists or my catalog of music. It's definitely one of my favorite parts of the music industry.

The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.

Writing 'We Are Never Getting Back Together' was one of the most hilarious experiences I have ever had in the studio because it just happened so naturally.

We were telling everybody we weren't getting back together when we were in the studio actually recording. We wanted to try it on, to see how it would fit.

The shot is an extreme close-up, making it impossible to tell, without already knowing, what kind of flesh it is. It could be Julia Child skinning poultry before a studio audience. The seminar

I'm not one for walking the beaches humming a melody. I love the discipline of sitting in the studio, writing and listening. That is my domain.

I love to go to the studio and stay there 10 or 12 hours a day. I love it. What is it? I don't know. It's life.