Quotes About Studio

I see my studio like a laboratory, where I work like an investigator - it's almost forensic. I love the discovery process in painting.

I love the opportunity to do lots of different kinds of projects - independent films and big studio epics as well.

If I have a song that I feel is really one of my best songs, I like it to have a formal studio recording because I believe that something being officially released on a studio record gives it a certain authority that it doesn't quite have if it comes out on a live album or is just a part of your show, you know.

A year before 'Frampton Comes Alive!' we had released the studio version of 'Show Me The Way' as a single - it was on the 'Frampton' album - and it totally tanked. Nothing.

Sometimes I have some stuff in my head, man, you wouldn't believe. But I can go to the studio and talk about it. That's my way of releasing.

I'm a reader. I found out that, whether you're a studio head or a director, you must read your own material. You can't rely on readers.

As far as recording equipment, we use everything! We don't rely too much on Pro Tools like other bands.

I started using this outlet of creativity - you know, going to the studio, writing, meeting these writers and producers - as the best form of representing myself to my fullest potential.

When I was in the studio doing 'Hungry Eyes,' we had to make it an '80s record, but we wanted it to feel like the '60s.

The material I did was lasting material. A lot of people thought I wasn't doing anything, but I was in the studio. The biggest factor is the material you choose. You hunt, you cut.

There's a studio formula of making a movie that Betty White fans and Ice Cube fans are going to love, so it's a really broad brush.

I do get star-struck, especially if they're icons like Florence Welch. I met her briefly at a studio and I did not act cool.

All my idols have been in the studio with me, because they wanted to be there.

Most of my images have been done in-studio, under very controlled lighting conditions. There have been a few that have been shot in nature, but even then they were shot almost exclusively at night, and again, under controlled lighting conditions.

Having my own studio at home is a dream, as I have a totally sound-proof room I can escape to when I need to write, and I have an impeccable room to record in.

The way we structure our deals is to work closely with the director. It is imperative to work with a studio because the way the film is marketed is crucial.

You can no longer just have a magazine that shows you this glossy impervious image of women - in the studio, artificial, wearing a push-up bra.

I can do what I want, when I want. I want to go to this place, I pick up and go. It's nice. I've just never been inclined to do anything that's too crazy. But I still have to work, you know. Some days I don't feel like going to the studio. But I still have to.

I hope to build not the largest film and media studio in the world, but perhaps one of the coolest and also the most inclusive.

I'm lucky that I enjoy playing live; it's my passion to do that. There's certain artists that never want to play live. They just want to be in the studio. Good luck, because there is no income.

Independent film is film that has thought in it. There's no independent thought in studio films. It's collective thought.

I haven't done a lot of studio movies, but studio movies and independent films are always just as fun as each other.

When someone says, "Happy birthday and many happy returns of the day," I usually say, "If God takes up my option." In the motion picture business there were once options, usually yearly. If taken up, your contract was extended for another year by the studio. It is appalling to realize that God has taken up my option for seventy-eight years.

God, I'm in the same studio as de Burgh! He may have stood right where I'm standing now... and just thought his mad thoughts. Like "I am brilliant."