Quotes About Studio

About 70 percent of everything is really sketched out on my keyboard beforehand, because I do want accidents to happen in the studio.

I usually enter the studio with a mix of songs that I've been listening to that are relevant to the sound I want to achieve.

I'm someone who has always been quite clear about what I like. In the studio, I'm not a control freak but I know what I want.

Writers do the self-censoring before they even get to the studio executive, because they know the film will not run that gauntlet. They, because they want to get their films made, they censor it.

I think the purpose of test screenings is different for the studio and for the filmmaker. For the studio, I think they want to know whether the film works or not.

When I photograph someone, I want to shoot the subject and get them out of my studio so I can play with the photos and do all the stuff I want.

Early on it was much easier to play leads, but now independent movies are being co-opted by the studio system, and they want bigger names to guarantee more audience and more numbers.

Independence can be tough. Without a studio to back you up, when you finish a feature and want to start a new project you have to start from zero.

Finally, the intercom crackles and Hatmitch's acerbic laugh fills the studio. He contains himself just long enough to say, 'And that, my friends, is how a revolution dies.

People of Panem, we fight, we dare, we end our hunger for justice!" There's dead silence on the set. It goes on. And on. Finally, the intercom crackles and Haymitch's acerbic laugh fills the studio. He contains himself just long enough to say, "And that, my friends, is how a revolution dies.

I knew from the first episode that 'Longmire' was something special - I met the writers/exec producers, read the script, and knew it was special, so to have the network and the studio and the fans get behind it in the way that they have has been really amazing.

I saw a song and dance act at the carnival and decided that's what I wanted to do. I worked on my mother first, she convinced my dad, and I started taking dance lessons at the Maureen Bennett Studio.

Fear just crushes creativity, and if I let fear into the studio and into the songwriting, I was going to let it kill the artist inside of me.

Even though, theoretically, being a composer and being a songwriter are the same thing, in my brain, they are completely different. When I am in my composing mode, I go into my studio and turn that part of my brain on like a faucet. And when I finish, I turn it off. But with songwriting, that process is much more elusive.

My favorite way to get into the songwriting process is to get into the studio, and then usually, they play a loop of four chords, or something, or guitar, and then I just start singing.

As far as we're concerned, we're always Sonic Youth, and we're always making a Sonic Youth record. We just see it so much more as a continuum than a periodic thing. We're just in the studio making the next record, and we don't relate it to anything other than what's going on at the moment.

Sony is the only studio without broadcast relationships with the NFL.

I used to blame myself for a lot of things, and I apologise loads. I don't do it any more, but when I was in the studio - and it was my song - I'd say 'sorry' every time I got a note wrong.

I never thought I would be recording on any professional level, so to be doing a rockabilly, Motown, pop soundtrack in a L.A. studio was completely bizarre and amazing.

I used to work in Macon, Georgia and Spartanburg, South Carolina where the studio was about half the size of your living room.

I would like to encourage hip hop artists to invite those of us who are in the queer spaces in, so we can have those conversations. I love hip hop. If you bring me in the studio, I know how to act. And we can talk about what's not cool because, clearly, there's still homophobia that penetrates in all these areas.

Being in the studio, for me, can be a miserable experience - I can really psych myself out.

Making a summer movie is like accepting a mission impossible: your enemies are everywhere, and if you fail, the studio's never heard of you.

Whenever I've been in the studio with Little Mix I've had the best time ever.