Quotes About Studio

People call it high-concept but it's really having an idea which you can tell in a couple of sentences, so the head of the studio can call the marketing guy and pitch it, and the marketing guy can say, Yeah, I can sell that.

I've been a solo artist for a year now, and I think I should start thinking about the future now. Every spare time I get, I want to be in the studio and work on music for 2015. It's a lot of work.

The magic - we can try to capture the magic - the music that comes out of the speakers. That sparkle of magic that we can get sometimes is just what we are looking for and if it works while we're in the studio the two of us, then we think that maybe we can share it with an audience. And it's been the case from the beginning.

The first time I got into the studio, when I was 17, 18, I got to work with people who were some part of the Cheiron thing, who did all the early Britney Spears stuff, all the early 'NSync stuff.

I definitely like making music in the studio, but I never had it out to make a CD specifically.

Selling a film option and getting a studio on board can be a slow process, and until things are official, you never want to spill the beans.

If you're really careful to keep the monitors not too loud, if you're lucky, you get a little bit of nice bleed between the instruments. The guitars might spill a little bit into the drums, or the drums might spill a little bit onto the piano. Just a little bit of that makes a glue for the whole thing to sound more real.

The local dudes who knew that my dad owned a studio would say, 'Ahh, dude is spoiled,' and this and that. But we didn't abuse it at all. I'd always ask if we could use the studio first, and if our dad didn't want us there he would tell us, and that was that. But I definitely tried to get down there as often as I could.

From activist stage, I just spoke and said whatever I had to say. When the writing started, I would just read it. Then I had the interest into going into musical aspects. When that happened in '86, I liked the result of work we did in the studio.

I ended up performing one time at BET. I performed my record, like, four times, and the crowd was going super crazy. And Busta just happened to be there; he pulled me to the side and asked, 'Are you signed to anybody?' So we went to the studio a few days later, spoke, and then became business partners.

My old man was a musician - that's what he did for a living. And like most fathers, occasionally he'd let me visit where he worked. So I started going to his recording studio, and I really dug it.

a nice standing ovation from a studio audience of angels, who having all died themselves, know a good death when they see one.

Around the women who frequented the yoga studio she felt perpetually diminutive, and that physical feeling augmented the psychological sense of her own childishness that she felt in America.

Often, in the movie business, they need somebody who will garner box office because they need to pay for the movie. So the people who are in movies that make a lot of money are the people who most often get cast in studio pictures. In my career, I've never been a box office name.

For me, a lot of my fondest memories of being in the music business were being in the studio with The Doobs and being part of that organization and being a part of that music.

I came to L.A. in 1970, and my desire and my training was to be a studio musician, which I had read about in my senior year in high school.

Backup dancers are completely respectable. They're the studio musicians of dance.

I've always enjoyed the enthusiasm of the best studio musicians and, over the years, have collected so many inspired contributions from them.

The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.

From the end of 2015 to the start of 2016, I was always at the studio with Mustard, just figuring out a sound.

I think the biggest sacrifice I had to make was giving up time and missing out on things. Not going to college and getting the college experience. Or missing important holidays. All my time was spent in the studio.

I've pitched movies to all of the major studio heads in my time.

I must say, I've been in the studio with Jay Z, dog... I thought the freestyle thing was a myth. But, bro!

Making movies is about control. You need to control your narcissism in the first place, and you need to be disciplined enough to understand the reason for the film. You need to follow the agenda of the film, not a personal agenda or that of the studio. Or, worst of all, of the actors.