Quotes About Studio

If you go in RCA A, you'll realize that it's not just a Nashville thing. It's a studio that belongs to music.

Working at Disney makes you aware of the family image of the studio. There are no naughty words used on the set like there were on the all-male cast of 'Hogan's Heroes.'

I was amazed and upset by the looks I got just walking around the studio... It illuminates the ugliness and the beauty that exists within each of us, and that's what this story represents to me.

When a movie is about to come out on its initial debut, there are a lot of people involved - the financiers, the studio and the producers and also, many times, the foreign distributors. So it is a time of tremendous pressure and uncertainty.

In the past, when you were just starting out, you had a day and a half of studio time - maybe two, if your buddy's uncle lets you stay.

Some of the earlier stuff I did in studio with producers was very pop-directed, which I was uncomfortable with.

My most heartfelt thank you goes to Impact Future Media and Cartoon Monkey Studio. Their dedication to the truth is very uncommon in the world we live in today. I am now, and will always be, grateful to their organizations.

I am uncompromising to the point of huge dissension in the studio. And it's served me very well. My theory and my philosophy is, 'Compromise breeds mediocrity.' Obviously, you have to pick your battles, and the more success an artist has, the more they want to be involved in their own career, which is not necessarily a good thing.

I feel like I'm in a weird state, and I wake up in Hollywood, and I've got a couple of studio movies underneath my belt, and I take these meetings with people. Sometimes it's this great, weird sense of oddness that comes at you, because I've never really stopped thinking the way that I started thinking.

American Ballet Theatre's rehearsal studios are at 890 Broadway, an old building where exposed pipes clank and hiss in uneven accompaniment to piano music. The high ceilings wear a toupee of dust. The wall paint peels like a newbie ballerina's toes.

Our strengths or maybe our characteristic as a developer firm software used to maybe be known as a studio that put out unexpected, almost, like, quirky, very unique titles. Not that we've lost that charm in recent years, but that's something that I really, really liked about our studio.

The studio moguls were certainly bigger-than-life figures, but they were also tough and unforgiving street fighters to a man, redeemed only because they were also the butt of so many Hollywood jokes.

Big Pop songs are born of inspiration and spontaneity. The question becomes how do you create spontaneity when you're going into the studio five days a week?

Most songs I write are spur-of-the-moment-type things. I have to be spontaneous. If not, songwriting can bore me. There is no pre-design or idea of what I am going to do when I go into the studio. It's all like that for me. I could go in and write two or three songs in an eight-hour session. You can't over-think songs. You just can't.

Studio work is very methodical, while live concerts must be very spontaneous.

My formula is not thinking about what I'm doing; it's about still having fun and making music. I don't go into the studio with a thought pattern or certain goals in mind - sometimes I'll start with drums, other times I'll start with the piano - but it's all done spontaneously, so nothing is premeditated, and nothing takes a long time.

I moved my studio to Palm Springs 'cause I don't like the idea of going to a studio every day like a job... I need to make a personal record, so I need to be in a house... I don't want to be in a studio where people can hear the music 'cause I don't know what it is yet.

A contract player has to do what he's told, and play the parts others pick out for him. As far as the studio is concerned he's just part of the stable.

To me, that's when music was music. Every studio had a full symphonic orchestra and a whole bunch of singers they used on every picture. Every radio show had singers on it, and NBC and CBS had their own staff orchestras. Music was everything. And it was good music; it wasn't based on three chords.

Let me create great music, go in the studio, and possibly become a memory and a time stamp in people's lives - and just give the best performances, because I know that's all that really matters.

I knew I had more in me than just standing up and having my picture taken... Being in the studio, I have to have an opinion.

When I talk about football from a studio standpoint, I try to cut through the minutia and get to the point.

There's something about the Oscar that gives you sort of stripes where you feel you can dare to walk into a studio like Universal and say, "Hey guys, how about an idea of me playing the wolf man?"

Since I finished on 'The Mentalist,' I didn't need to be so near to the studio, so we decided to move a bit further out where you can get more house for your money, too. It definitely feels more like home.