Quotes About Studio

I remember one day going in the studio to sing and then going to work with three separate songwriters before I came back in the studio. I was running on empty.

In the studio, if they need to come down to the floor, things are a bit pushy, although it is easier for them to say things directly rather than through about five people.

There are times pop music is the end result when I'm in the studio, but I don't really go in and say, 'Today I am going to make a pop song,' but it can happen.

I used to record but just in my own studio or in my friend's back when I toyed with the idea of being a rapper.

When I'm in studio, we cover the news. But no one says the news has to be boring.

I started young. My first record came out when I was - what? 18? So I was in the studio when I was 15, 16.

When I am not working as a model, I spend time with my family or working on my art projects in my studio.

With a live audience, if you sing with the right feeling, the response you get is a high, an excitement. There's nothing in the studio that can give you anything quite like that.

Having an audience in the studio makes you perform rather than just act.

I make movies for me and posterity. I'm more scared of history than I am of the studio.

Getting used to the studio and everything was fun, we freaked about alot. I was working very hard then.

Salim-Sulaiman have always been my favourite. It's just an absolute pleasure working with them, and there's always something new you get to learn just by sitting in their studio and absorbing all that's happening around you.

I live in the studio and I'm inspired.

I'm in the studio every other night. I live there. I sleep there.

For 'Filth,' we had about 12 producers on the thing. The opening credits go on for months. Most of them are actually financers rather than producers. And the only way that we could raise the budget without interference from a studio was to have a lot of different financers on board.

I like the idea of working my way up. I don't feel impatient to immediately jump into something that could literally bring down a studio if I don't do it well.

I like to explore a lot of textural, arrangement aspects in the studio.

I'm not one of those rapper guys that spend nights in the studio. I hate being in the studio.

I know that when I've passed the Jim Nabors set at our studio, I call out 'Hi Gomer,' and I can't honestly think of his real name.

I feel most confident when I am in a dance studio alone.

For me, it's just more satisfying when you follow the rules rather than just make a bunch of sounds. The magic of just making noise in the studio goes away after a while.

I'm a big believer of daylight in the studio.

I didn't want to be a solo Westlife - covers and ballads - and the reason I signed with Capitol Records was because they wanted me to write songs myself. It was pretty scary, but they put me in a studio in Nashville with some new songwriters, and the results were pretty good.

If I could, I would not do anything else. I'd just be in the studio for my whole life. I would never go to parties, events, and red carpets. I would rather just be in the studio for the whole time. I don't even care. Nobody has to know what I look like. I just want to make music.