Quotes About Studio

It wasn't until 9th grade that I got into music. This guy in school heard me singing around the hallway to girls and stuff. The girls liked it. One day, he was like, 'Come to my crib. I got a studio. Come and record a hook for me.' I recorded the hook on the 'Lovers & Friends' beat - Usher.

With an independent film, you have a little more freedom, and you also have less money, so you're sort of struggling to get it done, to get something that works. With a big studio, everything is there for you, and it's easier.

Probably the reason it's a little hard to break away from the album format completely is, if you're getting a band together in the studio, it makes financial sense to do more than one song at a time. And it makes more sense, if you're going to all the effort of performing and doing whatever else, if there's a kind of bundle.

I'm up all night, and then next thing you know, it's the morning, and I'll sleep, like, three hours. I'm a night owl. I'm usually in the studio at night working, and then I get home, I'm on my phone looking at Instagram pictures and buying stuff.

When you start out as a filmmaker, you do parodies, because you can't really compete on a studio level.

My dad heard of a studio on the radio, and it was advertised as a place for kids to meet kids, and it was actually a studio, and that's where I met my manager and agent.

My home studio is my private instrument for me only. It's not intended to record anyone but me.

The best advice he gave me was to carry on. It would have been difficult to set foot back inside a TV studio if I hadn't carried on - I don't know if I would have ever gone back in.

On record dates like that I never felt too nervous because everything was really overdubbed. When we did that album, we were in the studio for probably a week, so you had a lot of opportunity to fix things.

It depends on the time of the year and who I've been talking to, I try to put people in the studio I like.

We happened to be in the studio next door and I think Noel Redding came around and said, 'Do you fancy having a sing on this?' We just went and did it and it was great.

When I come up with a melody in my head, it could be anywhere: in the shower, on the plane, in bed - often when I'm on the go. I'll record it on my phone with my own voice, humming. When I get to the studio, I check which melodies work.

Usually, in the studio, on this sort of thing... you just go out and have a play over it, and see what comes, and it's usually - mostly - the first take that's the best one, and you find yourself repeating yourself thereafter.

That's the thing about Lionsgate. They are fearless. No other studio would have made 'Hunger Games' the way they did. They're being fearless in the way they make decisions, and it's paying off for them.

I was sitting in the looping studio late one night, and I had this epiphany that they weren't paying me for my acting, for God's sake, but to own me. And from then on, it became clear and an awful lot easier to deal with.

I want to build a studio in my backyard. The interest rates are low now, so who knows.

So that studio served its purpose, and still is working very well for other people right now.

I've had the luxury of owning my own studio, 24 analogue, 48 digital, endless effects, endless hardcore gear, that I don't have to rent, I don't get stuck with the bills, it's all mine.

Sometimes I hear a drum groove in my head and I rush down to my studio.

It is a lot cheaper to spend eight hours in a rehearsal hall than in a recording studio.

I also have a recording studio that I use to produce bands.

To me, there is nothing better than me going into the studio with a live band and hearing those violins and that echo and that sound. I mean I loved it.

I told them if were going to do it were going to do it right, I'm not leaving 'til it's done. My wife, child and I slept in the studio. We cut these raw.

We seem to do better in the studio than we do in a live environment.