Quotes About Studio

I can never remember what I do even in the studio.

In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.

My earliest professional musical experiences were really as a session player, and every day was an adventure. Three sessions a day, every day, and you never knew who you would be working with until you arrived at the studio.

Johnny was great in the studio; he was there to make the music that he wanted to make. We lived right beside each other and had a rehearsal studio that was just ours, with nobody else using it, it was part of Johnny's house, so we could rehearse every day.

I prefer playing in the studio because you have much more control over things.

In the studio the director controls the actor's every move, every inflection, every expression.

I needed an opportunity to get back in the studio and get my recording chops back together.

I enjoyed so much working with the guys from Wilco, and riffing off of them, and having someone come up to me with ideas, because normally in the studio it's me who has to come up with all the ideas.

Then, as now, the Disney studio buzzed with activity. You had a strong impression of being at the center of something very exciting.

Which is why I felt I was truly blessed this year, with leads in two nice films, and also the luxury of being able to do a studio film and an independent afterwards was fantastic.

What producers did was mostly recording in the studio, so it never changed our sound just that much.

The studio is meant to be always a place where, first of all, they can be out of spotlight, and second, where they could work with a peer group on parts that they might not have played otherwise.

I made many studio albums and I think the danger of studio recording is that if you do not watch out, you come out with a perfectly sterile performance.

That's why I'm really trying to produce my own stuff. This film was so good, because I produced it myself, and developed it, and made it with New Line, which is a smaller studio, so I was in control of a lot of stuff that I wasn't in control of for my other films.

The studio is not the place to write. You need to be 75% ready when you go into the studio, and then the music can develop to the next stage.

As you know, in America there's no rights for the artist, so whatever films I've made kind of belong to the studio, so if they want to remake it they can.

I'm very lucky to work in so many different arenas of the entertainment industry and I do enjoy them all, but making music - original music - in the studio or live onstage is definitely my favorite thing to do.

When I left the band I said Look, I am ready to move on. I was interested in playing with some of the other people that I had bee a studio musician with.

But after this last year and dealing with the studio, the rest of us are closer than we've ever been.

For years it never occurred to me to question the judgment of those in charge at the studio.

Just when I think I hate fashion, I hate clothes, I'm seized by this crazy thing that I have to do. I have this little studio now where I just draw. I can be in the room for three days and not even look up.

I'm not a guy to go in the studio and spend months, let alone years, like some people do. I cannot even be in the studio for a month, it will drive me nuts.

The thing that's characteristic of my performance is that I literally do drag the whole studio onto the stage.

We've been working with the very best in the business. The studio really just let us alone to make the films.