Quotes About Studio

Now, you can just get a laptop, get some software, put a microphone on it and make a record. You have to know how to do it. It does help if you've had 35 or 40 years of experience in the studio. But, it still levels the playing field so artists can record their own stuff.

It's hard to know exactly what it sounds like to me. I'm in the studio and I write it. and that's it.

People tend to think that because I need all this time on my own in the studio, that I need time on my own, period. And that's not really true.

I've just built a studio in my mama's old bedroom, which I thought was fitting; she died last year. We've recorded nine songs recorded in there already; we're sort of just chipping away.

The Buggles was much more a studio environment idea, which we never actually took on the road.

Big studio comedies are such a headache.

For me it was perfect, because it wasn't a very competitive environment, and it was a studio program. They basically send you off, and say, bring us some work, and we'll help you improve it. It really rewarded self-discipline.

I write a lot of music in my time off and I compose most of the songs on guitar. I've actually gone into the studio and recorded a few things, but it's tough trying to sell a song. It's all about finding that hook, that melody.

I guess in the independent market, I'd be getting offers, but in terms of big studio films, I still have to audition. I don't think my name is that well-known, I don't have much of a following to guarantee box office success yet.

I've never really had a problem with the imagination level of an audience. They're always smarter and savvier than any studio exec will give them credit for.

I think every cute girl is told to move to L.A. someday. So I do like the drive over from my house to the studio.

When I get in the studio the idea is just to work and bang out as many as I can.

I've certainly auditioned for big budget studio films. I don't know if it's because there's so much money involved, but a lot of times the pressure overwhelms me and engulfs me. I end up falling apart in the audition.

I probably am more shy than people realize. But I'm shy when I leave a studio and I am just myself.

I like the gritty parts of fashion, the design, the studio, the pictures.

It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job. I really don't think about my career, in terms of planning it out and what this does for me.

Charles Laughton, who's a great hero of mine, only ever made one film and it happens to be one of the great films ever, which is 'The Night of the Hunter.' It's full of his kind of imagination and creation and how you do things and just in the way he used the studio, I just thought it was a fantastical way of using the studio.

I try to devote my afternoons to making music in my home studio, but it's a lot more fun hanging out with musicians and friends, and trying subtly to influence a band than making your own stuff.

The mini-Moog was conceived originally as a session musician's axe, something a guy could carry to the studio, do a gig and walk out.

The crew members for 'The Price Is Right' at night are the same guys who work 'Y&R' during the day. It's even in the same studio. I've been in the place for 15 years. So all the faces at 'The Price Is Right' are familiar.

There wasn't an episode of 'Will & Grace' that didn't begin with my voice saying, 'Will & Grace' is taped before a live studio audience.

I do real paintings, you know. I'm a little messy in the studio, so I'm a bit of a danger. But I just adore it.

I'm always working. If I'm not in my studio I become quite nervous.

You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label.