Quotes About Studio

I've been singing for six years. I've been in and out of the studios with top producers, but it wasn't something I was ready to express to the public or to the press. I wasn't ready to come out. I wanted to perfect my voice and be 100 percent positive that I could come out right.

You earn very little money on independent films and I'm the provider for my home, so I do have to think of taking one for the accountant time and again and that means studio pictures.

I like the gritty parts of fashion, the design, the studio, the pictures.

Writing studio movies is the best job in the world... it's awesome.

Regardless of how well a studio is run, it's only as good as the product it produces.

When I go into the studio, I'm strictly for business... I don't like any fooling around in the studio.

The feature film business, the studio film business, feels to me like there's just nowhere else to go. It's like a record that's just skipping at the end, with the needle stuck in the run-out groove.

I stay away from the studio too long, I feel like I'm abandoning myself.

The actual making of a record is the most exciting part of this business.

Everything I did on the 'Paid in Full' album and those first three albums, I wrote everything right in the studio.

Sometimes, I make 50 songs and pick out the best 10. I've been in the studio all day, all night, making the beat, writing the raps. You never know what's gonna be a hit.

I'm getting in the studio with everybody I've always wanted to work with. That's the amazing thing.

You can have ambiguity in television that you are not allowed in film... at least in Hollywood studio films.

I'm never too ambitious when I go into the studio. I always know that I'm just going into the studio to work on or try to develop an idea that I have for a song.

If you really want to have an anarchist experience, make a movie with a studio.

The most calmest place I can be is the studio. And like, I stay in there 'cause I know, when I come out, it's back to reality. Man, if you're angry all day, man, stay in the studio.

Doing an animation is nothing like anything you could ever experience. You get to be a kid again and just play dress up in a movie studio.

If you end up spending more time in the studio than you do on the road, that's not a good balance for me. Because I think when you're in the studio, you need to come off the road and go in the studio and that's when you're applying your best. That's when you've got the best attitude, best energy, all that stuff.

I run the 'Actors Studio' on the West Cost. I'm artistic director of that.

I'm vulnerable to criticism. Any artist is, because you work alone in your studio and, until recently, critics were the only way you'd get any feedback.

A lot of big studio films, which are fun and great, tend to have a formula, and you've seen it before, and it's a new version of it.

I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.

I was in a very lucky position to be able to consider studio films and had decided to not go that route for a very long time until I read a script that I loved called 'Aeon Flux.'

Me and John Mayer met via a mutual connect, we were by the studio and he asked If I could play him my music. When he heard 'Under The Influence,' he asked if he could be a part of the track and of course, we made that happen.