Quotes About Studio

I like 'Confide' a lot. It was just like a great vibe for me. I was in the studio in Atlanta, and I recorded it and thought, 'This is definitely going on my album.'

I had a studio session with Nipsey Hussle. We didn't record, but we just vibed and we talked. It was just good conversation. We played music for each other that we had previously worked on. It was a good vibe.

I definitely enjoy the kind of magic that happens being on stage with a group when everything's working. The vibe when that's happening gets even better if the audience is involved and you can feel that interaction. That's something you don't get with your headphones on in a studio; it's much different.

In a studio situation, I'm able to dig deep and come up with stuff that all the guys think fits the vibe of the song. And I think that's partly due to the fact that I grew up listening to just about everything under the sun. I'm very open to music, and I like to do things in a traditional and musical way.

It used to take me a really long time, and I used to not be able to write in the studio because I felt there was a lot of pressure to be perfect. The more I'm collaborating with other artists, the more I realize being in the studio is about catching a vibe.

There are a lot of incredible producers out there. But that doesn't mean when you get in the studio that the vibe is right and that it's a fun experience, and you can trust people, and just have a good time.

I don't really reach out, it has to be organic. If we're in a studio setting and we're feeling the vibe, that's cool, we can make something. Like, I've been in a bunch of sessions with people I haven't made music with. Like, I just chill. I'm not forcing it. I don't DM people like, 'Yooo, I'm trying to get on a track.'

Every time me and A Boogie connect in the studio, it's just always good vibes. It's like me being with one of my brothers or me being with one of my cousins or my family members.

A lot of people say don't let bad vibes into the studio, but I love to. If you're having a bad day, write a song that feels like that.

In Vice, I saw all of it in one. I saw a studio. I saw a content creator. I saw an agency. I saw a distributor. We want to learn from them. They're talking to a generation we're struggling to connect to as an industry.

Sometimes if you're in the studio for a very long time, you want to get out and play live shows and vice versa.

I've got a furniture range with my wife, and I want to get into designing hotels and restaurants as well. We've got a big studio in Victoria and a showroom in Belgravia. I've always been interested in architecture.

I'm in my studio at 6 A.M. every day because I work better in the morning. Then in the afternoon, I like to go for a walk. I enjoy going for a perambulation or a constitutional. It's all very Victorian.

I didn't go to school for illustration. I did larger pieces, mostly drawings and paintings, and minored in video, but when I moved to N.Y.C., I didn't have a studio space anymore and downsized to my desk and started illustrating. I started a greeting card company and sold cards all over the city.

I've been in a recording studio enough times to know that it is not the best place to multitask. Doing a couple of takes of a song and running out to check your email to talk to someone about video production really is not good.

With my company, Giant Spacekat, I was very angry about the lack of games that portrayed women positively in the video game industry, so I launched my own studio, gave a lot of very talented women jobs, and we made some of the most awesome, empowering games in the business.

I used to suffer from stage fright, which at times was an ordeal. I won't perform live again. I'm going to do some TV shows and videos but nothing else... I don't like to travel too much or do concerts. I'm more of a studio and home girl.

If I get an iTunes check, I take the money out and say, 'OK, with this money I'mma go shoot me this many videos, with this money I'm going to do this amount of studio sessions.'

I originally had opened the studio in New York to combine my two loves, music and design. And we created videos and packaging for many musicians that you know, and for even more that you've never heard of. As I realized, just like with many, many things in my life that I actually love, I adapt to it. And I get, over time, bored by them.

I went from basically filming in my bedroom by myself, filming some funny videos, and then overnight, I switched into filming in some studios and some warehouses and family homes. I started filming with directors and producers and editors, and there were so many people in the room, so it was definitely weird.

Friends came on the road, came on tour, came in my music videos; I got in the studio with them. I'm a really loyal person, and I don't have a really large group of friends, but the people I hang out with I really, really care about, and they continue to be a part of my life.

This is such a perfect kind of career for me because I love making videos and being in the studio and being on tour.

I think from an East Coast point of view, you'd be like, 'Oh, a California record's a sunny record.' It's like you spend three hours in the studio because the rest of the time you must be at the beach.

My apartment is a studio, one not-too-large room with a kitchenette in the corner and a fireplace to one side. There's a door that leads to the other room, my bedroom and bathroom, and then there's the hinged door in the floor that goes down to the subbasement, where I keep my lab.