Quotes About Director

I don't think there is a movie that I've been on that I wasn't sure I could direct it better. But certainly also, as a director of photography, I have to serve the movie in whatever way I can as a filmmaker.

I love being on film sets even if I'm not acting in the film, and I'm fascinated by the work of the director of photography.

I wanted to be a director of photography for a while, because I'm fascinated by what they do. You're made to look good by them and you can learn so much from talking to them.

I came to Los Angeles only after filming 'A Good Day to Die Hard,' when I was cast in the independent movie 'Delirium.' Director Lee Roy Kunz was looking everywhere for a Russian actress. He saw my photos, and only then he learned where I starred before! Eventually, I spent several months in the U.S., and we made the film quickly.

'Creative director' is a catchall phrase for giving ideas. To me, it obviously means more than that. It's like being a counselor.

If you do well as an actor, a good director will pick up on it, and keep it in the film.

What's been nice is that I've been able to direct from a very idealistic place. I've never had to make my living as a director, which gave me a chance to choose material I feel passionate about. The directing allows me to not have to grab any acting role that comes along. I can pick and choose a little bit.

I remember years ago I was an extra, just an extra, and instead of asking me to move - he was a big fella - the director just picked me up and moved me. And I headbutted him. You know, he shouldn't have done that, but I shouldn't have done that either. I just done it.

I went off and did 'Space,' which turned out very well, and when the series was picked up, my options were to stay with 'Space' as a producer/director or go to 'The X-Files' as a producer/director.

You can do 12 great takes, but if the director is no good, he'll end up picking the wrong one.

'The Bank Job' was great fun to work on. Roger Donaldson is a top director, and working on HD was a new experience. It picks up every detail, which is a blessing and a curse if you think about it.

I feel like I've been picky through the years and would do one movie a year or one movie every two years, and I want to work a lot more. So if I can find something that just happens right away as a director, I'll do it if I really love it, but otherwise, I want to keep working as an actor and getting better.

If a script comes together, and you end up liking the people who are part of it, that's when you can make magic happen. It's a huge combination of trying to find something you think you can deliver on and a director you think you can collaborate with to make a good picture.

I don't remember anything anybody said in any Jack Ford picture. Nothing happens except action.

I would say it's not as hard as writing, because when you're a writer, you walk right into the pit all by yourself, but when you're a director, there are at least 80 people who scream, 'Don't do that!' when you make a mistake.

I really value the skill and sensitivity of my collaborators, and I am really interested in - perhaps more so than if I was a male director - the hair, makeup and the textures of the fabric and the wallpaper.

It's all about the director for me; we have to click. It's a trust thing. I'll say I'm ready to let down my walls. I'll cry for you as long as you need. But you're going to have to hug me afterwards.

I wrote and directed a movie called 'Two-Bit Waltz.'

The guy that made me wanna make movies... and this is off the wall-is a guy named Michael Pal, the British director.

TV, it's a director's medium, and they wanna make it look interesting. To be rehearsing mostly for the sake of where you're standing so they can do the lighting, that's what I don't like.

There are lot of people I'd wanna work with, but Wes Anderson, I would just wanna sit down with the guy. If he would ever put me in one of his movies, that would be the end.

I'm a huge fan of Greta Gerwig, and working with her was also a dream come true. She was one of those directors who, when people asked me, 'Who do you wanna work with one day?' I'd say Greta Gerwig. I've always been a fan of mumblecore and her films, and so to work with her was just so much fun.

I want to be an old lady, with my cane, shouting, 'Action!' and 'Cut!'

I wanted to be Steven Spielberg, Tim Burton, Stanley Kubrick, David Cronenberg, Ridley Scott, James Cameron, and Hitchcock. I'd wanted to be a director since 13, and horror and the suspense thriller were the most powerful genres to me.