Quotes About Director

Whenever I'm in theatre situations I will go out of my way not to talk about my father, but in the film world I can be really proud of my family and say, 'You know what: my dad's a really, really famous theatre director ' because nobody has any idea.

On my first day on the set of 'Boston Legal,' I thought the director was calling me 'Candice' instead of 'Constance.' But I didn't realize he was actually talking to Candice Bergen.

I've always wanted to be behind the camera in some capacity.

Each picture has some sort of rhythm which only the director can give it. He has to be like the captain of a ship.

It's easier to go from theatre to film than the other way round. In film you're absolutely loved and cossetted and cared for. In film your director makes your performance. In theatre you're carrying it all.

After 'Ra.One,' 'Cash,' 'Tum Bin 2' did not work, I almost lost my confidence as a director.

A New York casting director, who shall remain nameless, once said to me, 'Marcia, you have what I call the flaring-nostril look, and until you get something done about it, you will never, ever work.'

I always used to say, as a director, that I could make anybody good in a movie if you found the right part. It all comes down to casting.

I think one of the biggest jobs of being a director is getting the casting right.

What a casting director does is they're a connector.

My mom is a casting director, which is pretty awesome.

I'd make a terrible casting director.

My dad's an actor, and my mum's a casting director and a writer.

I believe in the power that a casting director has.

A director is a director. We shouldn't categorize one into a this or that director.

Ashwini Chowdhary is a very sensitive director. I could give myself 100 per cent to him.

Certain things are very important for me while saying 'yes' to a script. One is obviously the role and its importance to the film. When I say this, I don't mean the length. And last but not the least - the director.

As a director, everyone has their dream and they want to approach their film a certain way.

I'm looking for challenges, and as always, what matters is the script, the character and the director.

When you're a director, and you look at Scorsese's work, he's always challenging us to push the envelope and break the rules. Someone like that is necessary and a godsend.

My dad always told me that I should have been an actress, but that wasn't really my main focus. I really love to be the director, the person in charge, making my fantasy come to life. But if I love someone else's fantasy, I'll definitely help them bring theirs to life, too.

I made three films with Douglas, two with Charles Boyer.

When I came to England, the first director I met was Charles Sturridge, who told me, 'You speak like somebody out of the 1950s.'

It's important that the director and actor have good chemistry, and not just the actors.