Quotes About Audiences

An illustration I use to get people to understand it is this: I'll ask major corporate audiences: Why don't you just take all your traditional beliefs about organizations, and apply them to the neurons in your brain?

My mother was a children's librarian. I remember when traditional stories were revised for modern audiences until they bore only a nodding acquaintance with the originals, but were released as 'authentic Indian stories' when they were, in fact, nothing of the kind.

In the best traditions of American comedy, from its beginnings through the crash-bang comedies of the 1990s and 2000s, Leslie Nielsen skewered the otherwise proper, did it with mischievous delight and convulsed audiences mercilessly.

I think that talking about the personal specificity, personal details, is how you get the big, big audiences - by talking about your relationships or your personal tragedies. If you reach out with that energy, you'll touch people.

We have anticipated releasing the trailer for 'Do You Believe?' to audiences, as so many have been looking forward to this project as the follow up release to 'God's Not Dead.'

I have performed all over the world to packed audiences. I don't have to be a trained musician to prove my singing abilities to my critics.

I'm just saying if you want to reach large audiences, then rely on professionals, meaning people who are in the industry and are trained for it, rather than just idiot savants.

Miami has been a second home where I have lived and worked for many decades and a crucial place in the trajectory of sharing my message with global audiences.

The loss of my mom really inspired me to go to a place with my performances that were emotionally honest, and I found that audiences really responded to that. People need to see heartbreak transformed into beauty.

Although designers continue to dream of 'transparency' - technologies that just do their job without making their presence felt - both creators and audiences actually like technologies with 'personality.'

When I first saw [James Baldwin] on television in the early sixties, I felt immediately a kinship with this man whose anger and disappointment with America's contradictions transformed his face into a warrior's face, whose tongue transformed our massacres into triumphs. And he left behind a hundred TV deaths: scholars, writers, teachers, and journalists shipwrecked by his revivals and sermons. And the Black audiences watched and shouted amen and felt clean and conscious and chosen.

Ultimately, what audiences respond to is truth. Even as fantastical as the story can be, and out there, at its core, it's dealing with loss, madness and mortality.

Yet entertainment--as I define it, pleasure and all--remains the only sure means we have of bridging, or at least of feeling as if we have bridged, the gulf of consciousness that separates each of us from everybody else. The best response to those who would cheapen and exploit it is not to disparage or repudiate but to reclaim entertainment as a job fit for artists and for audiences, a two-way exchange of attention, experience, and the universal hunger for connection.

Sir Derek Jacobi has been an inspiration to so many actors and audiences throughout his brilliant career. To see him in Shakespeare is an event in itself.

Our goal is to put news where it earns attention, where readers can access it on every device and interact with it. We're meeting our clients' audiences where they are instead of asking them to come to us. Increasingly, that means hosting the content on social blogging sites like Medium.

'Band Vaaje' is all-in-all a comedy film. But all comic scenes are situational. The jokes are not just for the sake of punches. The film has proper story which we are sure that audiences will love.

We want to create these dramatic situations, whether they are real or not, to entertain audiences.

Our show is all about energy and all about the skill, so we never have to alter it for different audiences, although maybe we might get crazier at a punk-rock show. With kids moshing and crowd-surfing, we might have to get crazy as well.

I think of my shows as family reunions. I give 100% every time. I just do. It's a huge therapeutic release. Also I love my touring family. And I love my audiences very much.

I love the Broadway audiences, who relish live drama and don't hesitate to display their enthusiasm.

I look for every opportunity to mix comedy and horror and tragedy. I love catching audiences off-guard.

What audiences love with series is that they can invest in characters for such a long period of time, and it's the same for actors. You can truly tell your story; then it's done.

I'm a big fan of being scared I like being scared. I like being involved in a film that will make audiences scared, that intrigues me.

Some of the craziest audiences are in Italy. They are very emotional and passionate so it is always fun to play across the country I always enjoy the amazing food.