Quotes About Audiences

I want to keep going to new audiences and showing people firsthand how great NJPW is.

You hear again and again that audiences want to see movies that are different, and critics say we make the same thing again and again in Hollywood, then you go and make something different, and you get kicked in the gut for it.

Korean films have always been distributed to international audiences as arthouse films.

Korean audiences are amazing, they really love the music.

What's more, whenever inspiration, taste, marketing, and the economy aligned, they sold enormous quantities of these musical recordings to audiences they helped create. This is their story.

Our intention is to demonstrate how vital it is for all involved in early music—performers, scholars, programmers, and audiences—to continue to think about what performing this music means—as much to the culture that created it as in today's world. Examining

The audiences are there as a result of my history with the band but also as a result of my being able to reach people with a tune.

The origin of 'Lenny Letter,' it started because Lena went on her book tour, and she had these audiences, young women, really diverse and looking for guidance.

When I have to compete with John Coltrane and Miles Davis and Louie Armstrong on iTunes, which I'm doing now, that's a problem. That means that jazz is not being heard by younger audiences.

For me, writing for younger audiences and writing for adults uses two different halves of my brain.

It was great about the sizes of the audiences we were getting in America, but sometimes you feel like telling some of the men that you're not on stage to have your body looked at.

There's a new success model, and us and some of our peers are now starting to prove that TV and very traditional content also works on the Internet, specifically on YouTube, and it can rival television audiences and television production value. 'MyMusic' is proof of that, having a successful run and now coming back for a second season.

YouTube viewers essentially curate their own content, so you could form your playlist to watch 'H+' through the eyes of one character, in chronological order, in reverse-chronological order, by geographic location. Our hope is that audiences take 'H+' into their own hands.

I think the problem with 'YouTube Rewind,' at least how I see it, is pretty simple actually. YouTubers and creators and audiences see it as one thing and, YouTube, who's in charge of making it, sees it as something completely different.

Gaming content is exactly what YouTube wants (the videos are long, the audiences are engaged, and thus people stay on the site).

Frank Capra, Hollywood's Horatio Alger, lights with more cinematic know-how and zeal than any other director to convince movie audiences that American life is exactly like the 'Saturday Evening Post' covers of Norman Rockwell. 'It's A Wonderful Life,' the latest example of Capracorn, shows his art at a hysterical pitch.

There has to be that zeal to do something new and surprise yourself and audiences. You have to stay true to your craft, and that should never be sidelined.

The trick is to have my own particular taste and feel for the theater to audiences who have been used to one particular style and taste for nearly 40 years.

London audiences are tricky, too. They don't laugh as much as the Northern audiences because, and I hate to say this, they are a bit cleverer normally, and they are picking up on all the little details and listening more carefully.

I think he could have made most of the trips and gone to most of the fund-raisers if he would have avoided the partisan rhetoric and talked to the country as President in each of these appearances rather than to the narrow partisan audiences.

The Internet has created so many niche audiences that when millions or even thousands of people can be on the same page it's a truly special thing.

So you know, as a filmmaker you have to get it all right in the writing stage. After that, one has to leave it on the judgement of your trusted ones and the audiences.

My readers and my audiences have turned into my followers. They are more than interested in what I have to say in the subjects of sales, loyalty, attitude, networking, business social media, and becoming a trusted advisor.

Part of the responsibility of being a modern storyteller is understanding modern audiences and trusting what they can handle. It's not just settling into what we think they want.