Quotes About Audiences

The relationship between the media owner, their relationship isn't strictly with people and audiences. It's also with advertisers, and that's the most relationship in radio; in fact it pays the bills.

The people we want in our news prime-time space now are strongly opinionated people who I think, for the most part, attract audiences of like-minded people, who want to know 'what's our side thinking right now?'

'Jism' is what it is because of my feminine gaze... And I believe strongly that my female audiences deserve eye candy as much as my male audiences do!

Laika's films aim to promote thought, feeling, and connectivity through art, inspired by our shared humanity. We're deeply gratified that the spirit of our work has resonated so strongly with audiences around the world.

I think I would say 'The King's Speech' is surprisingly funny, in fact the audiences in London, Toronto, LA, New York commented there's more laughter in this film than in most comedies, while it is also a moving tear-jerker with an uplifting ending.

I feel audiences are not given enough credit for their intelligence.

The corps of Great Composers who provided the works that are played here are all dead; living musicians may have their works played here from time to time, as a kind of courtesy, but it is the dead who command the loyalty of audiences, and it is their works that are played here over and over again with loving note-for-note accuracy.

Minimalism seems closest to the sophisticated storytelling of movies. Movies have really educated contemporary audiences to be the most intelligent, sophisticated audiences in history. We don't any longer need to have the relationship between one scene and the next explained. We will figure it out ourselves.

Audiences seem to have a limitless appetite for vampires and for fantasy in general. Unlike many other British actors, I haven't been building up my pension appearing in films like 'The Lord of the Rings' and 'Harry Potter,' but fantasy has now got a grip on me. I am also appearing in 'Game of Thrones' as the head of the House of Lannister.

With Australian audiences, there's a certain level of education - as far as how much access and exposure they have to music from various genres. So when you do 'Big Day Out' and there are all these different musical acts, you see the same people in your crowd that were there for a completely different artist.

Whether I'm speaking to conservative or liberal audiences, I don't find that people are close-minded about the things I say. I'm still optimistic that we can bridge a divide between these various bubbles. But I do think that it requires a little bit of effort.

Often audiences vary... but I've always found Milwaukee to be a fabulous place to play with great audiences and very hip.

I think new plays are vastly more surprising and challenging and inspiring; I hear from audiences all the time that they are delighted when they see plays about the world we live in now, at this moment.

That literary-popular distinction is, in my view, vastly overstated. At the far poles there are clearly books that are purely commercial and purely literary, written for audiences that want to see the same thing enacted over and over and over again. But the middle is where most people read and most people write.

When you are traveling in vaudeville, you experience so many different kinds of audiences, depending on what time of the week it is, how long the pubs have been open, and things like that.

I've enjoyed appearing in Atlantic City. East Coast audiences are a bit brighter than Las Vegas audiences. I think most entertainers will tell you the same thing. The East Coast audiences are more perceptive - especially when it comes to a performer with a theatrical background.

Vegas has the Whitman's Sampler of audiences. They come from all different places, so you have to do some crowd psychology. You have to find the heartbeat of the room. It doesn't shift my jokes, but it shifts my timing and my attention.

Las Vegas audiences are swingers. They're drinkers and swingers, and they like to have a good time and party. I never had a bad audience in my career. Sometimes it may take a little longer to get them, you know. But I would get them. I'd get standing ovations... Everything is attitude. It's very important to always like what you're doing.

There has to be the popcorn genre element, or I don't engage the same way. I like action and vehicle design and guns and computer graphics as much as I like allegory. It's a constant balancing game. I want audiences to be on this rollercoaster that fits the Hollywood mould, but I also want them to absorb my observations.

Audiences want comedy that has no venom. They want to have a laugh without it becoming twee.

We are so excited to be touring and showing audiences the versatility of the cello.

New ideas need audiences like flowers need bees. No matter how bright and colorful, they will die unless others work to spread them

'Visiting Mr. Green' is a good play. I enjoy being in it, and I have a wonderful colleague, Aidan deSalaiz, to work with. Audiences like it a lot. What's not to like?

My strongest audiences are in Germany and France - they stuck with me through my dark days in the '70s.