Quotes About Audiences

The audiences love to see me fight on screen.

Christian audiences, I think, have grown very tired of movies that try to pander to them.

American audiences and European and Asian audiences are so different.

Almost all comedy is of its time. You can't expect audiences now to laugh at what amused people 60 years ago.

Audiences want to watch good films, even if it is dubbed in another language.

I'm really blessed to be liked by the audiences.

Audiences sometimes emit these weird frequencies that make you think you've weirded them out.

I think Raju Hirani and Farah Khan are the only two filmmakers who can balance the multiplex audiences and the single-screen audiences.

The truth is, a lot of people go to drag shows, really, for very light entertainment, and I think sometimes maybe we don't even give the audiences enough credit as to what they'd be down for.

I like to entertain all kinds of audiences with my films.

The audiences are what keep me enthusiastic.

Is Qadar' will be an entirely different experience for audiences.

So anyway, I really enjoyed the European audiences.

Theatre, when it is at its best, takes a lot of beating - the live experience and the shared collective experience of live storytelling is really special when it is good. Particularly here in New York because the audiences are amazing, very vocal and very engaged, and that makes theatre very exciting.

Indian cinema is no more limited to audiences in India. We have viewers all around the world, and hence, understanding the global perspective is a must. Cinema Beyond Boundaries would get the viewers and the filmmakers together and would help us in serving them with good quality cinema.

A film like 'Shirdi Sai' caters to the family audiences, while 'Rajanna' evokes patriotic sense in viewers. 'Damarukam,' on the other hand, is a full-length commercial film made for the masses.

I think the resolution involved in the high-def, Blu-ray image demands we pay attention to every detail to a level we've never seen before. The audiences have to believe everything they're seeing. As viewers, we're all so experienced and so much smarter than we realize. With Blu-ray, there will be less tricking of the eye.

At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.

Since most of our films cater to crossover audiences, I think it's time we make films for multilingual viewers.

We don't look at 'Maha Kumbh' as just another serial. We would like viewers to see what we see. We haven't had a game-changer on Indian television for a very long time. We hope this one will make difference to the way audiences look at the home-viewing medium.

What hasn't surprised me is that audiences, as we found starting with box sets, want control, to decide how they watch it. Appointment viewing is slowly being put slightly behind.

I think American audiences are quite interesting in that they can handle almost any amount of violence, but the moment the violence becomes sexual violence it immediately becomes an issue.

I think people were a little premature in writing off violent movies. They're going to continue being made, and audiences will continue going to see them.

By employing a certain sense of humor, you essentially get more serious about things and show conflict more effectively than if you were overly dramatic or only violent because that's a one-way approach that just forces audiences to watch something appalling.