Quotes About Audiences

The safest way to be in business today and the way to gain as much control over your business as possible, is to have a business model of multiples where you can reach a multiple of audiences in multiple ways.

It seems like everyone I know has very strong feelings about which boy is the best fit for Katniss, but also because the books themselves contain a commentary on the way audiences latch onto romance, even (and maybe especially) when lives are at stake.

Ballet in September used to be dead as a dodo. Now, with City Ballet's ingenious decision to give us four weeks of repertory in the early fall, having cut down on the relentlessly long spring season when dancers, critics and audiences droop on the vine, we wake up after the dog days of August with something to look at.

Like Tamil audiences, the Telugus, too, are welcoming of novelty. The fact that 'Arjun Reddy,' which had no regular songs, became such a big hit, says it all.

Well-written plays deserve to be learned from and understood properly, both by actors and audiences alike, and Rattigan's very human characters help us do that.

Luckily, West End audiences seem to rather like very old people.

In the West, audiences think I am a stereotyped action star, or that I always play hitmen or killers. But in Hong Kong, I did a lot of comedy, many dramatic films, and most of all, romantic roles, lots of love stories. I was like a romance novel hero.

It's been interesting to see how similar audiences in the East and West are, actually, and how it makes you realize that when politicians emphasize the differences between our cultures, it's usually because it benefits them more so than us.

As an actor, you know when you've got great material in front of you. When you're working, you think, 'Is this the one? The one that everyone will respond to and be moved by?' You pray that you have told the story well... that your peers will see it and audiences will love it.

I worked at NBC and MTV for two years, and it was very interesting to see the comparisons of audiences and the way that I would have to present a story to the two different places.

With the fragmentation of television audiences and the advent of cable and on-demand services, the prestige of being an anchor is not what it was in the days of Walter Cronkite.

Cinema is changing every week, and multiplex audiences are demanding every week.

I detest audiences. Not in their individual components but en masse... I think they are a force of evil.

Audiences aren't that different for my show from area to area. Other acts, I think, experiences differences, but not me.

The joy of making a genre film is that you have audiences in that place, and it's a perfect place to start because all it takes is finding ways to startle them out of that complacency and encourage a different kind of engagement.

Different kind of cinema is being created, people are coming up with different kind of scripts, they are able to come up with scripts that work with the audiences and also scripts which will have something to say to the audience, which is a heart-warming thing.

To just get in front of different kinds of audiences is important for me. I do think it's important for music to be a big family. Whether it's country or not.

Television is a different medium and I am happy I could reach out to different kinds of audiences.

If you can think psychographically and not demographically, you can really target a lot more audiences.

We want to be a consolidator, not a seller, and we want to continue to explore the kind of targeted entertainment, targeted audiences, that I think are happening and emerging in every country in the world.

Older audiences are hard to win over. They're very specific in their tastes and critical of new music.

Comedians paint ourselves into corners all the time, and tastes in comedy change. The guy in 'The Hangover' was a really fun character to do, and it was easy to do. But you have to find other things because audiences will let you do that for a little bit, and then they're like, 'What else do you have for us, monkey?'

There are different audiences out there, and everyone has different tastes of what they want. And it's a good thing because otherwise, there wouldn't be enough stuff to go around.

Audiences love Paul Taylor, and so do I. Not everything, and not always, but year in, year out, he gives me more concentrated pleasure than I get from any other dance company.