Quotes About Audiences

Science fiction is a way that I can go into the abstract, go into the imagination, and audiences are still willing to go along for the ride.

Audiences shouldn't be homogenous before one even starts; it's the performance, even of a reading, that should weld them into a unit.

I don't make movies because I think audiences will want to go see them.

Many museums are drawing audiences with art that is ostensibly more entertaining than stuff that just sits and invites contemplation. Interactivity, gizmos, eating, hanging out, things that make noise - all are now the norm, often edging out much else.

I am deeply honored that my team is being recognized by H.S.H. Prince Albert II and the Festival de Television de Monte-Carlo for Disney/ABC's role in creating television that inspires and captivates audiences wherever they live.

I have been a stalwart advocate for the legacy of Charles White. I have said it so often, it could go without saying. I have always believed that his work should be seen wherever great pictures are collected and made available to art-loving audiences.

I find it odd seeing a DJ playing to huge audiences. I know that people have been doing it for a while, but the fact that it's been embraced so much in America now and it's become like this new, big thing, I find it slightly odd.

'Hotel Rwanda' is an American product, not a Rwandan one, made primarily for American audiences.

Awards are important for all directors because they improve your working conditions. You're only as good as your last film, so if you get prizes or large audiences, then you get more money for your next film.

I've heard people say, 'There are no bad audiences,' but that's just not true. There are people who just shouldn't be together in a room, who produce a really bad audience.

I think audiences, producers and directors included, develop crushes on actors (actresses in particular) and then lose interest and move on to the next one.

The most likely explanation is the most practical. 'Macbeth' is a very popular play with audiences. If you want to sell out a theater, just mount a production of 'Macbeth'. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.

I think, in any profession, what you fear most is not being able to perform, about not being able to meet new challenges. The fear of non-acceptance, particularly if in creative art. What happens if the audiences do not like you anymore!

Audiences don't ever disappoint me, in the sense that movies I feel really good about, they usually feel really good about too.

Audiences in mainland China know how to discuss movies.

It's not about just diversity; it's about authenticity. Audiences are really excited to see more of themselves on the screen.

Audiences are open to experimentation these days - that's a boon for me.

Black audiences are hard. They always think they're better than you. So you got to come with a little extra to satisfy them.

I think British audiences are accustomed to the 'boo' factor and pantomimes.

With 'The X Factor' I think the audiences have lost faith and trust in it so that's its problem. You want to be watching something real and dynamic and something you can trust and believe in.

Assuming audiences to be dumb, that's a big fallacy.

Without audiences, artists would be doing something else, and their creative and technical skills would fall on absent eyes.

If you look at my audiences, even in Europe, they're hardly teenagers.

Street dance resonates for teenagers. It's inclusive and brings in different audiences.