Quotes About Perception

He had never seen a gunshot wound. He kept asking what it felt like? dull or sharp? an ache or burn? My head was spinning and naturally I could give him no kind of coherent answer but I remember thinking dimly that it was sort of like the first time I got drunk, or slept with a girl; not quite what one expected, really, but once it happened one realized it couldn't be any other way. Neon lights: Motel 6, Dairy Queen. Colors so bright, they nearly broke my heart.

And as much as I'd like to believe there's a truth beyond illusion, I've come to believe that there's no truth beyond illusion. Because, between 'reality' on the one hand, and the point where the mind strikes reality, there's a middle zone, a rainbow edge where beauty comes into being, where two very different surfaces mingle and blur to provide what life does not: and this is the space where all art exists, and all magic.

We are so customed to disguise ourselves to others that, in the end, we become disguised to ourselves.

They understand not only evil, it seemed, but the extravagance of tricks with which evil presents itself as good.

When I looked at the painting I felt the same convergence on a single point: a glancing sun-struck instance that existed now and forever. Only occasionally did I notice the chain on the finch's ankle, or think what a cruel life for a little living creature--fluttering briefly, forced always to land in the same hopeless place.

I blinked at her. My shades were down and the hall was dark and to me, half-drugged and reeling, she seemed not at all her bright unattainable self but rather a hazy and ineffably tender apparition, all slender wrists and shadows and disordered hair, the Camilla who resided, dim and lovely, in the gloomy boudoir of my dreams.

You amaze me, he said. You think nothing exists if you can't see it.

All my life, people have taken my shyness for sullenness, snobbery, bad temper of one sort or another.

Viewed from a distance, his character projected an impression of solidity and wholeness which was in fact as insubstantial as a hologram; up close, he was all motes and light, you could pass your hand right through him. If you stepped back far enough, however, the illusion would click in again and there he would be, bigger than life, squinting at you from behind his little glasses and raking back a dank lock of hair with one hand.

Somehow the present had shrunk into a smaller and much less interesting place.

It's beautiful here, but morning light can make the most vulgar things tolerable.

What if you had never seen the sea before? What if the only thing you'd ever seen was a child's picture - blue crayon, choppy waves? Would you know the real sea if you only knew the picture? Would you be able to recognize the real thing even if you saw it? You don't know what Dionysus looks like. We're talking about God here. God is serious business.

Maybe that's why I tend to equate physical beauty with qualities with which it has absolutely nothing to do. I see a pretty mouth or a moody pair of eyes and imagine all sorts of deep affinities, private kinships. Never mind that half a dozen jerks are clustered round the same person, just because they've been duped by the same pair of eyes.

But even that day, there on the porch, with Charles beside me and the smell of wood smoke in the air, it had the quality of a memory; there it was, before my eyes, and yet too beautiful to believe.

With the news about Andy, it was like someone had thrown an x-ray switch and reversed everything into photographic negative, so that even with the daffodils and the dogwalkers and the traffic cops whistling on the corners, death was all I saw: sidewalks teeming with dead, cadavers pouring off the buses and hurrying home from work, nothing left of any of them in a hundred years except tooth fillings and pacemakers and maybe a few scraps of cloth and bone.

You don't feel a great deal of emotions for other people, do you? I was taken aback. What are you talking about? I said. Of course I do. Do you? He raised an eyebrow. I don't think so. It doesn't matter, he said, after a long, tense pause. I don't, either.

my own fatal tendency to try to make interesting people good. And

She closed her eyes, dark-lidded, dark shadows beneath them; she really was older, not the glancing-eyed girl I had fallen in love with but no less beautiful for that; beautiful now in a way that less excited my senses than tore at my very heart.

I met her my first year of college, and was initially attracted to her because she seemed an intelligent, brooding malcontent like myself; but after about a month, during which time she'd firmly glued herself to me, I began to realize, with some little horror, that she was nothing more than a lowbrow, pop-psychology version of Sylvia Plath.

Maybe good luck was like bad luck in that it took a while to sink in.

There's a pattern and we're a part of it. Yet if you scratched very deep at that idea of pattern (which apparently he had never taken the trouble to do), you hit an emptiness so dark that it destroyed, categorically, anything you'd ever looked at or thought of as light.

What do you think about America? Everyone always smiles so big! Well—most people. Maybe not so much you. I think it looks stupid.

he was about as erotic as an old football coach.

There is nothing wrong with the love of Beauty. But Beauty—unless she is wed to something more meaningful—is always superficial. It is not that your Julian chooses solely to concentrate on certain, exalted things; it is that he chooses to ignore others equally as important.